Ryan Adams: Self-Destruction on the Edge of Town

Look I don’t want to be writing about Ryan Adams again. I was one of his biggest fans for a long time and I feel like I’ve given him more than enough of my time and my energy. After a string of women called him out for his harmful, awful behaviour I stopped listening to his music. I wrote a few years ago about how I struggled with guilt but was resolved to quit caring too. He even came to play in Scotland and I didn’t waver for a second. I was done. Done.

Don’t worry – I’m still done. I’m writing this post because I’m still learning my lesson. Ryan’s debacles this year have shown me that not only were we so right to cancel this man, we need to take a long hard look at the blob of narcissistic darkness we helped create and acknowledge it our own. 

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Why the Grand Ole Opry Still Matters

Back in 2019 I visited Nashville for the first time and secured a ticket for the legendary Grand Ole Opry, which turns 100 this week. As a quite recent convert to country music at the time I was still learning about the institution. As a music fan, however, I knew the idea that there was a venue where every week you could see a varied line up of different quality artists playing live was something to treasure. 

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On ‘A Complete Unknown’ & the Myth of Male Genius 

The one time I saw Bob Dylan play live he was terrible but it didn’t seem to matter, everyone else lapped it up and the guy next to me nearly got thrown out for standing on his chair and yelling ‘LEGEND’ between every song. After that I promised never to pay money to see an old narcissist deliberately sing his own songs out of time and tune, all in the name of artistic independence or some other male bullshit. 

I do love Dylan’s old music but since I obviously wasn’t a diehard, I went to see ‘A Complete Unknown’ without any real expectations. I left both impressed and irritated. 

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Top Ten Albums of the Year 2024

I’m still of the opinion that we should all wait until the end of the year to post our list of favourite albums and this year I am edging very close to the wire by posting on New Year’s Eve! 

Like most people I have found 2024 to have been good and bad, rewarding and frustrating in equal measure. In terms of music, I have been feeling really positive and found more to personally enjoy and get excited by this year than last. I still have been quite slow and uneven with posting on the blog, alongside an ever changing social media landscape it hasn’t been easy to maintain any kind of consistent online voice.

Still I am thankful to anyone who has read my blog and I just want to express my gratitude to anyone who still follows and comments. You have all made me want to keep posting. And I still believe small quiet places on the internet to share your thoughts are worthwhile things to have.

So then we come to my favourite albums of the year, in ranking order by the arbitrary rules I set up when I began this blog way back in 2017. For no particular reason I decided that to feature on the list an album should be made up of mainly new material by a female artist / group or duo and the top slot is reserved for an album which is majority self-written. The rest of the list reflects my own personal listening and is not intended to be any kind of ‘best of’. 

Please share yours in the comments! Click below to read any review if I have written about the album. 

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Songs of the Year 2024

Another year is almost over and it’s the traditional time to reflect back on what musical treats have nourished us over the last twelve months. 

2024 has been a strong year for women in mainstream music, from Taylor Swift’s epic Eras tour to some stunning breakthrough pop performers like Chappell Roan, Charli XCX and Sabrina Carpenter. In country music Lainey Wilson won the coveted Entertainer of the Year award and there was also awards for newcomers Ella Langley and Megan Moroney in the genre too. None of these artists appear on my personal lists but I have been heartened by their success.

In terms of my own listening, I always veer towards comforting, introspective, poetic indie and Americana, adding some soft soul and folk with an occasional blast of epic pop or barnstorming country tunes for good measure. This year gave me much sustenance with the return of some of my all-time favourites, alongside a few newer artists who helped me through. 

Some of these tracks may have been released in 2023 but I count any song on an album released this year for this list. I have also included only one song per artist (excluding collaborations). 

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