Few artists have had the sustained success in country music as Carrie Underwood. When more and more women in the genre are seeing doors slam in their faces and are making moves towards pop or Americana or indie or oblivion Carrie has remained at the top of the game, faithful to the genre and its songwriters. She seemed to be the only one immune to the misogyny of the mainstream country music genre – hitting the top of the charts, getting support from radio and streaming platforms, headlining festivals, winning awards, selling records.
However two long years have passed since her last album, and the landscape has shifted so much that even she is now feeling the impact, with the lead single from this album underperforming (albeit only against her own high standards). At a time when the mainstream needs Carrie Underwood she has bravely decided to try something a little different, a little more thoughtful, a little more personal. Cry Pretty might not be what radio wants to hear but in my eyes that means it might just be her most important album to date. Continue reading “Album Review: Cry Pretty – Carrie Underwood”