If you’d told me a few years back that Miranda Lambert would be releasing a disco album, I’d have laughed in your face. The crazy ex-girlfriend who likes to burn stuff down? The woman who was more likely to be standing at the bar getting the drinks in than heading onto the dance floor? Miranda who released the Marfa Tapes? Last seen in a Texas honky tonk? Miranda? Disco?
So yes before listening to this whole album in full, I had severe doubts. On first glance the project seemed like a mid-life crisis, an artist trying to follow Kacey’s ‘High Horse’ or the ‘Bell Bottom Country’ 70s trend and getting it slightly wrong. The video for ‘Crisco’ felt a little awkward, like she was uncomfortable dancing on camera.
But I did love ‘A Song to Sing’, with Chris Stapleton and loved the roller disco vibe of that video which was the original inspiration for this whole album. After the first few songs were released I was still unsure but soon I found myself going back to them quite often. Sure it was disco, but it was country disco, it had a beautifully lush sheen to the sound. Plus Miranda’s voice just always pulls me in. Slowly Crisco started to make sense to me.
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