Album Review: Leah Blevins – All Dressed Up

Making vintage music sound both fresh and personally authentic isn’t easy to pull off but on this new album ‘All Dressed Up’ Leah Blevins has done just that. Assisted by producer Dan Auerbach of the Black Keys who has worked with Yola, Nikki Lane, Lana and Shannon Shaw in the past, ‘All Dressed Up’ is the sound of an artist stepping up in both her singing and songwriting. 

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Album Review: Ashley Monroe – Dear Nashville 

Ashley Monroe surprised everyone last week by dropping this new album ‘Dear Nashville’, less than a year after her last record Tennessee Lightning. With the title and the cowboy hat on the album cover it seemed to indicate this was going to be a return to the country sound of her earlier albums after a few years of experimenting with indie, folk and ethereal pop. 

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Album Review: Morgan Nagler – I’ve Got Nothing to Lose, and I’m Losing It

Alongside her indie band Whispertown, Morgan Nagler has also written songs with artists like Gillian Welch, Phoebe Bridgers, Haim and Kim Deal. She’s been best friends with Jenny Lewis for years and has recently been supporting Rilo Kiley on their reunion tour. Her debut solo album ‘I’ve Got Nothing to Lose, and I’m Losing It’ is the culmination of a life in music and a testament to her independent spirit. 

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Album Review: Brit Taylor  – Land of the Forgotten 

Brit Taylor was inspired by listening to the great women of country music for this new album, specifically Patty Loveless and Lee Ann Womack. What she also noticed was how both artists had enlisted their husbands as producers, and so she continued that trend by working with her husband Adam Chaffins. Her last album ‘Kentucky Blue’ was produced by Sturgill Simpson, so he had big boots to fill. The result of their collaboration ‘Land of the Forgotten’ is a hugely enjoyable album of terrific, toe-tapping country tunes. 

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Album Review: Mitski – Nothing’s About to Happen to Me

The last Mitski album I reviewed was 2018’s ‘Be the Cowboy’ which was a dark and intriguing look into the psyche of an emerging young artist. I saw her at a festival in 2019, playing low down on the bill, unknown by most of the crowd, partly performing hiding under a table. Even if some of the performance was inexplicably odd you could tell then she had the guts and gravitas to become a star. 

Since then she’s gone stratospheric, with viral success during the pandemic, an actual chart hit and a younger generation of fans embracing her music to the point of extremes.  For a while it felt strange and uncomfortable being an older Mitski fan since her crowd had skewed so young. 

This new album was recorded with the intention of going back to her indie rock basics, after three albums of gothic synth pop. In the end the songs dictated the music and she did bring in some more orchestral arrangements, some Americana sounding flourishes and weirder elements too.  

‘Nothing’s About to Happen to Me’ is centred around the story of a woman living alone, dealing with the recent break-up of a long term relationship, inspired by Grey Gardens, Shirley Jackson, cats and Victorian houses. 

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Live Review: Florence and the Machine @ The Hydro, Glasgow 9/2/26

At the start of Season 6 of Buffy the Vampire Slayer, the main character has to dig herself out of her own grave after being violently brought back from the dead. Afterwards she walks through riot-strewn streets of fire, disorientated and bleeding, asking: ‘Is this hell?’ The rest of the season she spirals into crippling depression, apathy and a self-destructive relationship.

Florence Welch considered calling her last album ‘Season 6’ in honour of that arc, so much did she see herself in Buffy’s struggle. During her last tour Florence suffered a broken foot on stage, before losing her unborn child and nearly dying with complications of that ectopic pregnancy. Hell and back doesn’t even begin to cover it.

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