Last year Senora May decided to record an album of love songs in response to the pandemic and an increasingly divided world. “I was sick of all the hate I saw people spewing,’ she said in a recent interview, perfectly summing up how many of us feel about the overwhelmingly toxic online (and offline) spaces we have found ourselves existing in. All of My Love is a welcome antidote to the chaos and a reminder that love and music are all we really need to get by. Continue reading “Album Review: Senora May – All of My Love”
As painful as it is to lose someone, within the devastation of grief something sacred is found. Anika Pyle, formerly of Chumped and katie ellen, began working on her debut solo album Wild River after the death of her father, honouring his memory with a stunning collection of songs and spoken word poetry. Continue reading “Album Review: Anika Pyle – Wild River”
Tiffany Williams released her wonderful debut EP When You Go in 2019, a collection of songs which explored her Kentucky roots as a coal miner’s daughter. Her follow up I’ll Be Back Soon is another EP of heartbreakingly beautiful songs, about doomed relationships and shattered dreams. Continue reading “EP Review: Tiffany Williams – I’ll Be Back Soon”
Mixing soft spoken word poetry, understated soul and indie pop Arlo Parks’s new album ‘Collapsed in Sunbeams’ has a uniquely fresh style which sets her apart in the current British music scene. Continue reading “Album Review- Arlo Parks – Collapsed in Sunbeams”
Released on Team Love records this new album Wishbone by Darci Phenix is a welcome discovery in a very barren winter for new music. Continue reading “Album Review: Darci Phenix – Wishbone”
Some albums reflect the times; others are a welcome escape. Pearl Charles’s new album ‘Magic Mirror’ is the latter – a disco ball swirling a little light through the darkness and gloom of the new year. Continue reading “Album Review: Pearl Charles – Magic Mirror”
It was the worst of times, it was the worst of times. Yet even in the bleakest moments of this past year when the world went into forced hibernation, new music never stopped being a vital life force for good.
To those artists who continued to release albums and songs during a worldwide pandemic I am eternally in your debt. The depth of support that music has given me during such a tumultuous year can never be overstated. Continue reading “2020 Most Read Reviews”
After her brilliant 2018 album America’s Child, blues singer Shemekia Copeland continues her blistering take on the state of her country with her new album Uncivil War. Working again with Will Kimbrough and her longtime collaborator John Hahn has resulted in a timely collection of protest songs about the way we live now. Continue reading “Album Review: Shemekia Copeland – Uncivil War”
Back in February, a lifetime ago, I was lucky enough to see Kelsey Waldon play live on a stormy evening in Glasgow. The rain that night was almost apocalyptic, leaking through the roof onto the stage and into the crowd. Even with the freezing temperatures and cramped venue there was a collective sense of joy and appreciation for the artists who’d travelled so far to play for us. We were all so blissfully naive about what the rest of the year was to bring.
Kelsey’s performance that evening was raw, intimate, intense. I’d liked her album White Noise / White Lines but live I connected to the songs on another level, in a way that is only possible when listening to someone sing in person. Until live music returns we have to try and find that same connection through the speakers, the screens, social media. It’s not enough but it’s all we have.
For the artists cut off from touring you feel deeply concerned for how their livelihoods have been snatched away and yet this year has also allowed for a pause and a focus on other projects. During a turbulent time politically Waldon has recorded this brilliant EP of cover songs which speak directly to the dark heart of the American experience. Continue reading “EP Review: Kelsey Waldon – They’ll Never Keep Us Down”