Next week sees the release of a Lifetime movie based on the friendship between two country music legends, Pasty Cline and Loretta Lynn. Before it hits our screens I thought I’d take a look back to Loretta’s biography ‘Coal Miner’s Daughter’ and find out more about the connection between these two legendary artists. Continue reading “What Patsy Cline Taught Loretta Lynn About Friendship”
Legend had it that when Carole King heard her newly hired babysitter Eva Narcissus Boyd sing she yelled, ‘Stop! We must record that voice!’. Another story often told is that Eva’s dancing around her living room inspired the lyrics to The Locomotion. Truthfully, King and her husband Gerry Goffin knew exactly how good a singer Eva was when they hired her as a babysitter, since she had been singing on demos and working with their girl group the Cookies. Continue reading “The Little Eva Who Could”
Last year at the Americana Music Awards many women were nominated but only Molly Tuttle took home an award for instrumentalist of the year. Before this year’s ceremony Margo Price, who had been one of those 2018 nominees, tweeted that she hoped things would be different in 2019 and the headlines would finally read that women had won big. Thankfully I can report with some delight that her wish has indeed come true and women won an equal share of last night’s awards including the big prize of Artist of the Year. Continue reading “Women Win Big At the Americana Music Awards”
Last Friday we finally heard the first new music from the country music dream team The Highwomen. This project has been much talked about, with endless teases in interviews and hype on social media to the point where I began to worry the weight of expectations was going to crush the whole thing before it even began. I’m pleased to report that so far, so damn good. Continue reading “The Highwomen Are Finally Here! Thoughts On ‘Redesigning Women’”
‘Welcome to my TED talk on how awkward I am,’ said Kacey Musgraves in typically self-deprecating style at the beginning of her interview for the new exhibition honouring her career at the Country Music Hall of Fame. All of the Colors, lives up to its name with an array of stunning artefacts and costumes from across her life and career.
I was reading a great interview with Marissa Moss the other day which outlined some thoughts she had on the difference between journalism and music blogging. This got me thinking about some of the wider issues that I have observed since starting my own blog.
When I first started Highway Queens I had dreams of creating a professional level magazine and writing to the same standards as a paid journalist. Soon I realised that not only was this an impossible task for one person, it wasn’t what blogging was for at all. Here’s my thoughts on what those differences are and why we all need to work together anyway. Continue reading “The Differences Between Music Journalists & Bloggers and Why We All Should Work Together Anyway”
After seeing the Elton John biopic Rocketman last week, I began thinking about all the women in music who should have their story told on the silver screen. Rocketman was an interesting film but I was disappointed by the fact that they mentioned Mama Cass, going so far as to recreate her home for a party scene and yet the woman herself did not appear on screen – not even for a fleeting cameo (Kiki Dee didn’t fare much better either but at least she had a line). Like many women in music history Cass appeared sidelined in favour of the bigger story of the man. Continue reading “Fifty Women in Music Who Deserve Their Own Biopics”
Growing up in the Mississippi Delta gave Bobbie Gentry a deeply rooted sense of place which she channelled into her lyrics and music. What perhaps is less documented is her time as a young model in California. Work like this may be dismissed by some as inconsequential or superficial even but for Bobbie this must have given her some insight into how to use her own image for maximum effect. In her songwriting Gentry created characters and painted pictures of Southern life. She extended this attention to detail by designing many of the clothes she wore for her album covers and live shows. Gentry’s personal beauty and style helped to sell her music, long before social media and branding ever was even thought of. Continue reading “Bobbie Gentry: Fashion Icon”
Released in 1979 Great Balls of Fire is right in the middle of Dolly’s mainstream pop phase. She aims for the charts but ironically it is one of the few albums from this era without any real classic career-defining songs. It’s a continuation of her previous run of big budget albums but with ever diminishing returns you feel she’s stretching this seventies pop style to its limits. Continue reading “Dolly Parton’s Discography – Great Balls of Fire (1979)”