Album Review: PP Arnold – The Turning Tide 

PP Arnold has been an Ikette, worked with the Small Faces and Rod Stewart, had hits in the UK and yet she has spent much of career as a back up and session singer. Perhaps the release of her long lost album The Turning Tide will go some way to help change things. This album, originally recorded in the late sixties and early seventies, was produced by Barry Gibb and Eric Clapton but has bafflingly remained unreleased ever since due to complicated personal and legal circumstances. Despite being nearly fifty years old it sounds fresh and vital, a story of female talent that’s been on the shelf far too long.  Continue reading “Album Review: PP Arnold – The Turning Tide “ →

Album Review: Whitney Rose – Rule 62

Whitney Rose has a vintage aesthetic which is reflected in her music and her style. To some this may seem fake, just annoying kids playing ‘dress up’. Okay so recreating the past is a little inauthentic in a way but sometimes being yourself is just so bloody boring. Rule 62 from the AA bible is don’t take yourself so damn seriously and on this excellent album Whitney is having fun with the past, inventing characters and most importantly, singing quality songs. Continue reading “Album Review: Whitney Rose – Rule 62” →

2017’s Most Unlikely Chart Battle: Shania Twain vs Wolf Alice

For this week’s UK album chart battle we had two unlikely competitors: Shania Twain and English indie band Wolf Alice, fronted by Ellie Rowsell. It seems odd to think these two could become adversaries, the divide between them is so vast as to usually make such people invisible to each other. This wasn’t David vs Goliath or Blur vs Oasis this was more like someone’s mother versus the emo kids who stand at the side of the playground smoking.  Continue reading “2017’s Most Unlikely Chart Battle: Shania Twain vs Wolf Alice” →

Album Review: Amber Rubarth – Wildflowers in the Graveyard

After being hit by a car Amber Rubarth sustained serious injuries which threatened her music career. During her recovery she spent time in her local graveyard, observing the overgrown wildflowers and finding comfort in the eternal cycle of life. Thankfully she was able to play and sing again and the result is Wildflowers in the Graveyard, an album of quiet beauty enough to soothe any restless soul. Continue reading “Album Review: Amber Rubarth – Wildflowers in the Graveyard” →

Dolly & Miley’s New Albums Are A Double Rainbow of Delight 

So the autumn leaves are beginning to fall, it’s getting dark earlier, and the world is about to end any day now. Enter Dolly Parton and her goddaughter Miley Cyrus, on a mission to spread love, light and colour in these end times. Miley’s new album Younger Now and Dolly’s children’s album I Believe in You are lollipops of sweetness and joy enough to make even the worst cynic smile. Continue reading “Dolly & Miley’s New Albums Are A Double Rainbow of Delight “ →

Why You Have To See Brandy Clark Live On Her UK Tour

Brandy Clark has just released Live From Los Angeles, a new album of her 2016 show at the Hotel Cafe in Hollywood and it’s one of the most joyful things I’ve heard this year. All I could think about when listening to this was: life would be better for everyone if they just quit what they were doing right now and booked a ticket for Brandy’s upcoming UK tour dates. Here are the reasons why buying a ticket for these shows is the best gift you could give yourself in 2017… Continue reading “Why You Have To See Brandy Clark Live On Her UK Tour” →

Album Review: Alvvays – Antisocialites 

Apart from the irritating spelling anomaly in their name Canada’s Alvvays have barely put a foot wrong since starting out in 2011. Their debut album was one of the best of 2014 and included future indie classic Archie, Marry Me. Their new album Antisocialites doesn’t deviate much from their previous jangle pop sound which combines nicely with Molly Rankin’s vocals.  Continue reading “Album Review: Alvvays – Antisocialites “ →

Album Review: Phoebe Bridgers – Stranger in the Alps

I first saw Phoebe Bridgers supporting Conor Oberst earlier this year, and her introspective songs immediately impressed me. She even sang on a duet of Lua with the man himself – at one point during the song Conor leaned on her for support as though she was the sober friend responsible for keeping him upright. The duet proved Phoebe Bridgers to be a singer with an understated power, demonstrated beautifully on her debut album Stranger in the Alps.  Continue reading “Album Review: Phoebe Bridgers – Stranger in the Alps” →

Blog at WordPress.com.

Up ↑