Album Review: Hurray for the Riff Raff – The Past is Still Alive

Alynda Segarra’s last two albums looked outwards: The Navigator towards their Puerto Rico heritage, telling the story of immigrants living in a city, trying to find a place in a new world, while follow up Life on Earth sang of places and people under siege in a hostile world. Musically these albums ranged from innovative Latino inspired folk, to indie rock, to lo-fi electronica and spoken word. Here was an artist asking questions, searching, making exciting and original music that grew with every listen (like those rhododendron they sang about).

New album The Past is Still Alive is less conceptual, more inward looking, a narrative where the personal becomes political. Musically this harks back towards the simpler acoustic beginnings of this artist’s career.

Continue reading “Album Review: Hurray for the Riff Raff – The Past is Still Alive”

Album Review: Madi Diaz – Weird Faith

Being chosen to support a pop star like Harry Styles on a massive stadium tour looks from the outside like a dream. Here’s a guaranteed payday and an opportunity to play in front of thousands of fans who probably wouldn’t normally hear your music. By choosing women from mainly the indie/alternative sphere Harry was continuing on his quest to appear both cool and inclusive, distancing himself from his reality TV, manufactured boy band past. All credit to him (or more likely his savvy management team) for giving out these opportunities.

However a little digging into the online fan culture would suggest these slots are not always groundbreaking for careers as they may seem.

Jenny Lewis faced online abuse from his fans that basically amounted to them deciding she was too old and her music too weird to support him. Despite Harry’s wish for indie credibility it was clear most of his fans were stuck in their pop lane. Typical of Jenny she didn’t give a fuck and enjoyed herself massively, making the absolute best of the opportunity despite the general apathy. Wet Leg and Wolf Alice reportedly got similarly muted responses.

Kacey Musgraves fared better since she is younger and poppier, even duetting with Harry at one point. She managed to win fans online and carry some of these over to her own shows, which began to skew younger around the time she opened for him.

So now you may be wondering what happened with Madi Diaz? She was chosen to support Harry as a solo acoustic performer, in massive stadiums when most people were probably not even in their seats yet. At least Harry was a definite fan of her music – watching her from the side of the stage, wearing her ‘Crying in Public’ T-shirt and then asking her to join his own touring band, elevating her to the main event.

Since releasing this new album Weird Faith last Friday, Madi has appeared on her first Late Night talk show, played Rough Trade and had a week that has left her ‘humbled and bewildered’. How much of this success is down to her being connected to Harry is hard to measure, but the increase in name recognition alone has been a driver in getting her music in front of a wider range of fans, myself included.

Continue reading “Album Review: Madi Diaz – Weird Faith”

Album Review: Lizzie No – Halfsies

On Lizzie No’s debut album, Hard Won, she showcased her talents as a harp playing folk singer with something to say and she then built on that foundation with her second record Vanity, creating a more ambitious, rockier sound. Her new record Halfsies is released in conjunction with Americana label Thirty Tigers, which is fitting since Lizzie has been a vocal advocate for more black women in country and folk music. Halfsies is a fantastic record which blends those genres along with some intriguing indie rock influences.

Continue reading “Album Review: Lizzie No – Halfsies”

Album Review: More Than A Whisper: Celebrating the Music of Nanci Griffith

The untimely death of Nanci Griffith in 2021 came after a long period of declining health and retreat from recording music. Her final album, released in 2012 was described by Paste magazine as being ‘utterly shot through with vitriolic anger, disappointment, fear and dissent.’ There was an air of bitterness in some of her interviews around the time of that album, suggesting a frustration with the music industry and her legacy as a whole.

Continue reading “Album Review: More Than A Whisper: Celebrating the Music of Nanci Griffith”

Album Review: Dori Freeman – Do You Recall?

For her fifth album ‘Do You Recall?’ Dori Freeman has once more worked in collaboration with her husband Nicholas Falk as producer, offering us an intimate collection of new songs about love, life and the struggles of the modern world. The picture on the cover of the record echoes the soft-focus style of alternative Americana that she has perfected over the course of her career.

Continue reading “Album Review: Dori Freeman – Do You Recall?”

Album Review: Jessi Colter – Edge of Forever

Back in 2019 news broke than the legendary queen of Outlaw country Jessi Colter was recording a new album, produced by none other than Margo Price. Since then fans of both women have been waiting for news of the release only to be met with a series of disappointing delays.

We can blame the pandemic for some of the issues but Margo hinted on Twitter that finding a record label to release this album has been fraught with difficulty, no doubt due to ageism and sexism plaguing the industry. Thankfully Appalachia Record Company have agreed to release the album, titled ‘Edge of Forever’ – a collection of songs which prove that being over seventy is no barrier to musical creativity.

Continue reading “Album Review: Jessi Colter – Edge of Forever”

Album Review: Ashley McBryde – The Devil I Know

Country music is dominating the mainstream American charts with the top three artists all crossing over from the genre. Sadly the problem remains that it is still only male artists up there riding high, selling out stadiums, getting the all genre accolades. Why isn’t a talent like Ashley McBryde at the same level? She has everything that a Luke Combs or a Eric Church has. Yet she remains a support on these tours, without the hits, probably doing twice the work of these guys to get less than half as far. It’s a baffling, eternal problem for women in the genre.

Thankfully Ashley doesn’t seem to have let this reality hold her creativity back at all. Much like the model set for her by Miranda Lambert she’s powered her own path releasing brilliant rock leaning country records Never Will and Girl Going Nowhere, while also spending time working with others (on the collaborative project Lindeville) all of which showcase her inventive vocal talent, witty lyricism and understanding of what makes good country music.

Her last solo album Never Will went hard rock, with songs of revenge, murder, cheating alongside the beautiful ballads which she delivered with quiet power. Her debut Girl Goin’ Nowhere was a rootsy and heartland rock take on mainstream country. The Devil I Know seems to blend the styles of these two previous albums, continuing her hot streak of consistent, quality songwriting and singing.

Continue reading “Album Review: Ashley McBryde – The Devil I Know”

Blog at WordPress.com.

Up ↑