a music blog
Imagine a cool breeze across a field on a summer’s day, taking a walk that leads you straight into the past where everyone lives a simple life on the land and plays music gathered around an open, flickering fire. Welcome to the sound of Brennen Leigh’s ‘Prairie Love Letter’. Continue reading “Album Review- Brennen Leigh – Prairie Love Letter”
Ashley Ray was raised on a farm in Lawrence, Kansas before moving to Nashville to study and pursue her dream of a career in music. Her brilliant new album ‘Pauline’ is named after her grandmother, and her own middle name. Across these ten songs she delves deep into her family history, with powerful and poignant results. Continue reading “Album Review: Ashley Ray – Pauline”
Recently there has been a noticeable trend of artists releasing cover albums – some choose to feature songs from one artist like Emma Swift’s take on Bob Dylan, or Juliana Hatfield’s tributes to Olivia Newton John and The Police; while most go for a mixture of songs that have inspired them or influenced their music like recent releases from Tanya Donelly and Molly Tuttle.
Most of these projects are recorded as a diversion from their usual path of original songwriting. What you see rarely now are singers for whom interpretation is their sole focus. The few artists who make this choice tend to belong to classic genres like folk, jazz or blues. Singing old songs, for them, remains a vital way to communicate with history, and seek answers from the pioneers of the past.
On her new album ‘Blackbirds’ Grammy nominated blueswoman Bettye LaVette has chosen to record songs made famous by other black women, paying tribute to the legacy of the many iconic musicians who paved the hard road before her. This album shows that she has the talent and skills of interpretation to match even the best of them. Continue reading “Album Review – Bettye LaVette – Blackbirds”
The sweet, sweet sound of the fiddle contains the soul and spirit of folk music in one perfect instrument. Fiddler Bronwyn Keith-Hynes plays bluegrass music which understands the traditions of the instrument’s past but she isn’t afraid to cut loose and find her own path too. Continue reading “Album Review: Bronwyn Keith-Hynes – Fiddler’s Pastime”
To soothe means to relieve pain and discomfort, to have gently calming effect. On her new album Norwegian singer songwriter Siv Jakobsen offers us A Temporary Soothing, with songs exploring her own anxieties and offering us comfort through her beautifully created soundscapes. Continue reading “Album Review: Siv Jakobsen – A Temporary Soothing”
In his Nobel Prize acceptance lecture Bob Dylan discussed how he first began learning old folk songs, eventually internalising them into his own songwriting. ‘You hear all the finer points, and you learn the details,’ he explained. By singing these songs he discovered ‘the devices, the techniques, the secrets, the mysteries’, concluding that ‘songs are alive in the land of the living’. Old songs are meant not just to be heard, but to be sung anew by the next generations.
Emma Swift began ‘Blonde on the Tracks‘, her project of Dylan covers, as a way to recover her artistic inspiration after experiencing depression. Mainly recorded in 2017 these versions were not even intended to be an album but when the pandemic destroyed Swift’s plans for touring she decided to release the recordings. Continue reading “Album Review: Emma Swift – Blonde on the Tracks”
In summer I always crave a big sugary country pop album – one that has ambition, blends contemporary sounds with quality songwriting and real personality. Last year Maren’s ‘Girl’ did the trick and this summer that album is ‘Heart Theory’ by Lindsay Ell. I’ve always admired Lindsay as a rare mainstream artist in the country genre who is known equally for her guitar playing as her vocals. It really depresses me to see women putting their instruments aside to appeal to the mainstream charts. So I am happy to report that this new album ‘Heart Theory’ sounds a million times better than most big Nashville pop releases because of Ell’s fantastic guitar riffs. Continue reading “Album Review: Lindsay Ell – Heart Theory”
Having previously worked as a cellist for Brandi Carlile, Sam Rae now releases her third solo record Ten Thousand Years. Her producer is Jacob James, another member of Carlisle’s band, and together they have recorded songs which showcase Rae’s thoughtful songwriting voice. Continue reading “Album Review: Sam Rae – Ten Thousand Years”
Samantha Crain releases her new record after a time of personal turmoil which included physical injuries that left her unable to play her instrument. These challenging circumstances inspired her new album ‘A Small Death’ – creating a distinctive musical style that is atmospheric, dark and hauntingly beautiful. Continue reading “Album Review: Samantha Crain – A Small Death”
Highway Queens 