Favourite Albums of the Year 2023

As 2023 draws to a close it is the traditional time for music fans to look back with love and appreciation for the music that has seen them through the year.

Before I began blogging I would scour the end of year lists in the hope of finding a gem I had missed, and more broadly as an easy way to keep up with the cultural conversation around popular music. Sometimes that has led me to getting depressed at the state of the industry but the best lists can unite fans in wonder and joy.

As a blogger generally I have listed my favourite albums of those I have reviewed, however this year I have not reviewed as many albums as usual. In fact for various reasons I haven’t written about some of my favourite and most listened to albums, including Allison Russell, Brandy Clark and Jenny Lewis.

In 2023 I returned to my old ways of taking things slower, listening at different times than the release schedule, not writing about everything I was listening to. The albums that I did write about I felt I had something to say and the time to say it.

Looking back on this I actually don’t think it was necessarily the best choice to write less, as writing helps my mood and my life, but I liked feeling less pressure to participate in the online culture. To write a blog is to take your time, to listen well and really think, which is why it is such an enriching activity.

So that’s a long winded way of getting round to my list of ten albums of the year. As per other years I keep the number one spot for a solo artist who has written the majority of their record without songwriting collaboration, as this best encapsulates the independent free spirit of what this blog is about.

I have included the link to my original review, if one exists. Please comment below with your choices and anything you’ve loved this year which you think has been overlooked!

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Why I Stopped Buying New Vinyl

A few years back I wrote a post about trying to be a more minimalist music fan, addressing many of the issues I had with the constant demands on music fans to buy more and more and more and more stuff.

After writing that post I slowly began to change my behaviour, and this year I have almost stopped buying new vinyl entirely. In fact the only album I have purchased on vinyl this year is a signed copy of Amanda Shires last album from her concert in June.

Yes, you read that right, this vinyl addict has gone nearly six months without adding anything new to their collection at all. Please send me all your praise for this remarkable feat of resistance in the comments.

Let me walk you through the reasons why I, music blogger with a record collection stretching into the hundreds, came to the blasphemous decision to stop buying new vinyl.

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Dolly Parton’s Discography: Rockstar (2023)

After being nominated for the Rock and Roll Hall of Fame, Dolly Parton at first refused, not believing her music fit the genre, before deciding that if she was going to be voted in then she might as well prove herself to be worthy of the accolade by recording her first full rock album.

My problem with the ‘Rock and Roll Hall of Fame’ has always been the name. Just what is rock and roll anyway? If it had simply called itself the ‘Music Hall of Fame’ none of these eligibility arguments would ever have occurred.

The original inductees were Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, The Everly Brothers, Buddy Holly, Jerry Lee Lewis, Little Richard and Elvis Presley. From the start there was a wide umbrella which allowed any artist who had cultural impact to be inducted. Nothing about any of those artists was the same, or indeed fit any kind of standard idea to help us define what ‘rock’ music means then or now.

Dolly, like the Rock Hall itself, also seems somewhat confused about the meaning of the genre. If this album had been more inspired by those original pioneers then she might have an interesting record. But sadly what ‘Rockstar’ reflects is what rock and roll came to be at the end of the 1980s – ridiculous, over blown, over produced, over made up, occasionally entertaining but mostly bloated performances with a hell of a lot of electric guitar.

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Album Review: More Than A Whisper: Celebrating the Music of Nanci Griffith

The untimely death of Nanci Griffith in 2021 came after a long period of declining health and retreat from recording music. Her final album, released in 2012 was described by Paste magazine as being ‘utterly shot through with vitriolic anger, disappointment, fear and dissent.’ There was an air of bitterness in some of her interviews around the time of that album, suggesting a frustration with the music industry and her legacy as a whole.

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Album Review: Dori Freeman – Do You Recall?

For her fifth album ‘Do You Recall?’ Dori Freeman has once more worked in collaboration with her husband Nicholas Falk as producer, offering us an intimate collection of new songs about love, life and the struggles of the modern world. The picture on the cover of the record echoes the soft-focus style of alternative Americana that she has perfected over the course of her career.

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Live Review: Iris DeMent & Ana Egge @ Glasgow Royal Concert Hall 31/10/23

After an unfortunately timed illness led to some of this tour being cancelled, Iris DeMent admitted to the Glasgow crowd that she was probably ‘happier to see you than you to are to see me.’ What followed was an evening of hopeful songs that powerfully cut through the political despair of our times.

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Album Review: Jessi Colter – Edge of Forever

Back in 2019 news broke than the legendary queen of Outlaw country Jessi Colter was recording a new album, produced by none other than Margo Price. Since then fans of both women have been waiting for news of the release only to be met with a series of disappointing delays.

We can blame the pandemic for some of the issues but Margo hinted on Twitter that finding a record label to release this album has been fraught with difficulty, no doubt due to ageism and sexism plaguing the industry. Thankfully Appalachia Record Company have agreed to release the album, titled ‘Edge of Forever’ – a collection of songs which prove that being over seventy is no barrier to musical creativity.

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