Album Review: Rhiannon Giddens – ‘You’re the One’

Rhiannon Giddens understands her musical and cultural heritage more than any other contemporary artist in Americana music. She devotes attention to the musicians of the past like Sister Rosetta Tharpe, Nina Simone, Patsy Cline, Dolly Parton and beyond. Her previous collaborations with Francesco Turrisi and Our Native Daughters have wrestled with the dark heart of America’s past and its impact on the present.

‘You’re the One’ takes a step towards a different kind of light, consisting of twelve original tracks of uplifting and diverse Americana, played with verve and vivacity.

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Why do some Lana Del Rey fans hate Nikki Lane?

Last week Lana Del Rey announced American tour dates, with ‘the famed Nikki Lane’ joining her as support. On the surface this seems like a fantastic choice – who better to have on tour with you than such a close friend and recent musical collaborator? What some people might not realise is that Nikki has faced some hate from Lana’s fans on social media, even before this announcement.

Lana and Nikki’s friendship and musical connection was born many years back through them both working with producer Dan Auerbach. They have since sung together live many times and recorded the stunning ‘Breaking Up Slowly’ for Lana’s album Chemtrails over the Country Club. Lana has said that Nikki is ‘one of my very, very, very best friends and one of the most talented singers, arguably in the world.’

So why are some Lana fans so unhappy? What exactly has Nikki Lane done to deserve this level of toxicity?

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Album Review: Bethany Cosentino – Natural Disaster

One of the albums which really got me through the pandemic was Best Coast’s Always Tomorrow – a blissfully catchy set of songs about the journey towards self-acceptance, sobriety and security. At the time when the world was shutting down those songs about shedding your old skin and learning how to look after yourself really hit a nerve.

So, a few years later, it’s not a huge surprise to me to learn that Bethany Cosentino has gone solo. Starting over, embracing a new life was central to so many of the old songs that the natural next step would be to begin again, moving away from her youthful indie rock and pop punk influences. While Best Coast had always felt like her voice, her project, (no offensive to drummer Bobb Bruno intended) using her own name for her music feels like a chance to really express her individuality.

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Album Review: Jess Williamson – Time Ain’t Accidental

Last year the native Texan Jess Williamson joined Katie Crutchfield to form the duo Plains, together releasing an album of gorgeous windswept indie folk which perfectly showcased her romantic, yearning vocals.

Her new record Time Ain’t Accidental continues in that same vein, offering us a softer take on a break-up record, sounding more like the exhalation breath of freedom rather than the howl of despair.

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Live Review: The Chicks & Maren Morris Live @ OVO Hydro, Glasgow 28/06/23

At the same time the Chicks arrived to play Glasgow, the city was also celebrating iconic artist Banksy opening his first solo exhibition in over a decade at the Gallery of Modern Art. In one of the exhibits he writes about how he only began painting graffiti after suffering a horrific break-up, humorously concluding: ‘It felt like I had finally found a practical application for art: revenge.’

From their iconic feminist murder anthem ‘Goodbye Earl’, to the defiant ‘Not Ready to Make Nice’ right through to the recent post-divorce protest album Gaslighter the Chicks’ best songs offer a similarly potent mix of rage-fuelled personal revenge and political anger.

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Album Review: Whitney Rose – Rosie

On the stand out track from her 2020 album, We Still Go to Rodeos, Whitney Rose sang the defiant rebuke ‘I’m not broken by the things you did to me / But thanks for trying’. After enduring recent struggles including the pandemic hitting when her last album was released, followed by health scares that landed her in hospital, that mantra resonates stronger than ever. Unexpected forces may have tried to derail her career but that fragility has fed into her new album Rosie, making her a more vital voice than ever.

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Album Review: Joy Oladokun – Proof of Life

A notable recent trend in pop music has been the rise of the heartfelt singer songwriter, offering songs about ordinary lives and love without any fancy trimmings or concern about their image. Of course all of them hitting the top of the charts have been male. You don’t see many women in any genre just standing on stage in a hoodie playing their guitar and gently singing from the heart.

Joy Oladokun’s new album ‘Proof of Life’ offers us a female version of that kind of honest, understated anti-style. What makes her even more interesting than those crop of solo singer songwriters is the inventive and fresh sound she creates on this record – taking pop, folk, indie and jazz influences and fusing them into something new of her own.

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Album Review: Bella White – Among Other Things

Brought up on bluegrass and folk music by her musical parents 22 year old Canadian songwriter Bella White is already releasing her second album, which is maybe not surprising considering she’s a precocious talent who wrote her first song aged 7. Her debut album was self-released in 2020 and led to her signing for Rounder records. She recorded this new collection ‘Among Other Things’ with producer Jonathan Wilson (who has been working with many Americana-leaning artists lately like Erin Rae, Margo Price and Angel Olsen).

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Album Review: Esther Rose – Safe to Run

On her previous releases Esther Rose perfected a cool yet catchy sound through a sweet combination of light pedal steel, fiddle, soft vocals and vintage Americana production. On her new album ‘Safe to Run’ she continues this aesthetic, while also expanding her horizons – her newly blonde hair and a change of location from New Orleans to Santa Fe perhaps inspiring a new sense of artistic looseness and freedom.

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