Written in 2018 during a time of personal change, the new album from indie singer songwriter Emmy the Great is a lovely collection of songs which feel like a welcome bloom of springtime air in this uncertain autumn. Continue reading “Album Review: Emmy the Great – April / 月音”
Last week there was an online furore over an advert suggesting a ballet dancer should give up her career in dance and retrain to work in cyber security or some other such dreary, digital job. The world was outraged. Had the pandemic reduced us to such crass, cold hearted philistines? Who would dare crush dreams like this? The government of course, quelle surprise. Continue reading “A career in the arts shouldn’t be a pipe dream”
After going through personal and professional divorces, Lydia Loveless returns with her new album ‘Daughter’. Change becomes her, allowing for her world weary voice to echo bruised truths in the listeners ears. There will be no miracle rebirth or transformation here. Instead she knows that to move forward in life is to understand yourself for better, or worse. Continue reading “Album Review: Lydia Loveless – Daughter”
I first heard Fenne Lily when she opened for Hurray for the Riff Raff a few years back. She was a striking stage prescence: confident, witty and charming in her self-deprecation. Her songs were promising at the time, holding secrets in their quietly faded moodiness.
On her new album ‘Breach’ she proves herself one of the most talented young British singer songwriters we have. Opening song How to Be a Woman is a gentle invitation to her world, don’t be scared of me she sings with a comforting whisper. The little line ‘fuck falling apart’ tells us there’s equal amounts strength and sarcasm in her lyrical armour. Continue reading “Album Review: Fenne Lily – Breach”
The illustration on the cover of this album shows people all crammed into two tower blocks, connected but separate. Dutch based songwriter Nana Adjoa’s new album Big Dreaming Ants is similarly packed with a range of diverse influences including soul, jazz, folk, electronia and indie rock. She references Nina Simone, Wilco, JJ Cale and Jeff Buckley in a recent interview and that’s just the kind of intriguing melting pot which she brings to this impressive debut album. Continue reading “Album Review: Nana Adjoa – Big Dreaming Ants”
Some artists have so much energy and talent that recorded music can barely convey or contain them. This fact is true of husband and wife duo Tanya and Michael Trotter, known as The War and Treaty, whose joyful, uplifting musical spirit has to be witnessed in real life to fully comprehend. To say I’m a true believer doesn’t even cover it.
Their debut album ‘The Healing Tide’ was a delightful mix of vintage soul and Americana that brimmed with the effervescent energy and vocal star power of the duo. Hearts Town, their wonderful new album, takes us to a place where pain is understood, music heals and there’s always another chance to begin again. Continue reading “Album Review: The War & Treaty – Hearts Town”
Imagine a cool breeze across a field on a summer’s day, taking a walk that leads you straight into the past where everyone lives a simple life on the land and plays music gathered around an open, flickering fire. Welcome to the sound of Brennen Leigh’s ‘Prairie Love Letter’. Continue reading “Album Review- Brennen Leigh – Prairie Love Letter”
Ashley Ray was raised on a farm in Lawrence, Kansas before moving to Nashville to study and pursue her dream of a career in music. Her brilliant new album ‘Pauline’ is named after her grandmother, and her own middle name. Across these ten songs she delves deep into her family history, with powerful and poignant results. Continue reading “Album Review: Ashley Ray – Pauline”
Recently there has been a noticeable trend of artists releasing cover albums – some choose to feature songs from one artist like Emma Swift’s take on Bob Dylan, or Juliana Hatfield’s tributes to Olivia Newton John and The Police; while most go for a mixture of songs that have inspired them or influenced their music like recent releases from Tanya Donelly and Molly Tuttle.
Most of these projects are recorded as a diversion from their usual path of original songwriting. What you see rarely now are singers for whom interpretation is their sole focus. The few artists who make this choice tend to belong to classic genres like folk, jazz or blues. Singing old songs, for them, remains a vital way to communicate with history, and seek answers from the pioneers of the past.
On her new album ‘Blackbirds’ Grammy nominated blueswoman Bettye LaVette has chosen to record songs made famous by other black women, paying tribute to the legacy of the many iconic musicians who paved the hard road before her. This album shows that she has the talent and skills of interpretation to match even the best of them. Continue reading “Album Review – Bettye LaVette – Blackbirds”