a music blog about women in Americana & beyond
Frustration with the male dominated culture of mariachi music led Mireya Ramos to create Flor De Toloache – an all-female band of musicians who together have fused Latin music in a distinctive new way. On Las Caras Lindas there is a joyful spirit that is uniquely feminine and surprisingly modern too. Continue reading “Album Review: Flor De Toloache – Las Caras Lindas”
Elizabeth Powell, the main singer songwriter of Land of Talk, spent the last few years away from the music scene, a break that was partly forced by unfortunate personal circumstances. The title Life After Youth suggests a lost innocence but on this album the music has a power which proves these life experiences have given her creativity renewed purpose. Continue reading “Album Review: Land of Talk – Life After Youth”
Last time we heard from Lindi Ortega she was hanging out in Faded Gloryville, where success was in the past but there was still a warm glow of positivity in her voice. This new E.P. Til The Goin’ Gets Gone takes a much darker turn, and was recorded at a time when she was deciding whether or not to continue with her career in music. Continue reading “Review: Til The Goin’ Gets Gone – Lindi Ortega”
Nowadays in popular music escapism is the name of the game. Songs are often nothing more than an attempt to make the listener feel good – even ballads are autotuned and polished to perfection. Raw emotion is no longer acceptable.
But look at the world. Look at all the terrible things that are happening. More than ever we need to hear songs that tell us the real stories of people’s lives – of their heartbreak and pain and suffering. These songs are still out there, but you won’t hear them much on the radio or at award shows. When Miranda Lambert stepped up to sing Tin Man at the ACM awards she said it was a ‘risk’ but it was a performance which proved that sad songs still have the most power. Continue reading “Why ‘Tin Man’ Is The Sad Song We Need Right Now”
There’s something refreshingly different about Jade Jackson’s version of country music. Her debut album Gilded mixes a little punk rock and motorcycle roars alongside the slide guitar and violins. Somehow it seems to work perfectly – after all some hell’s angels wore cowboy boots, didn’t they? Continue reading “Album Review: Jade Jackson – Gilded”
On the cover of her new album Double Roses, Karen Elson is in the sea, her face only partly visible above the water. Yet her straight eye stare suggests she’s comfortable there, submerged slightly but ready to emerge as a musician once again. She’s waving, not drowning. Continue reading “Album Review: Karen Elson – Double Roses”
Lizzie No grew up singing in her church choir before discovering Dylan and learning to play his songs on the harp. Her debut album Hard Won takes these musical influences and combines them with a poetic lyricism that impresses throughout. Continue reading “Album Review: Lizzie No – Hard Won”
Girlpool have always sung each song together, generating strength through their combined voices. Powerplant adds drums and grungier guitars to their lo-fi songs, successfully growing their sound and vision. Continue reading “Album Review: Girlpool – Powerplant”
The Ivor Novello awards, given for song writing, are to take place in London this week. They are strange awards in many ways – sometimes rewarding just for commercial success and other times recognising artists beyond the mainstream.
What makes this year’s nominations list stand out for the right reasons is the inclusion of Laura Mvula, who was recently dropped by her record label. Now you would think if they signed you for a five album deal then they at least believe in your talent and potential. But in this case they dropped her after her second album failed to reach their sales targets. And they did this by email. Continue reading “Why A Win for Laura Mvula Would Be A Win for All Women in Music”
Highway Queens 