Album Review: The War and Treaty – Healing Tide

Recently there has been much discussion about the definition of ‘Americana’ music and how the genre needs to be more inclusive of diverse voices beyond white male altcountry singers. Husband and wife duo The War & Treaty are therefore exactly what the Americana genre needs right now – combining gospel, soul, country, folk and blues to create a rootsy sound which references music history but makes it sound fresh again for the modern listener. Debut album Healing Tide is full of astonishing songs that speak to the heart of humanity, suggesting that a better, happier, more loving world is possible. Continue reading “Album Review: The War and Treaty – Healing Tide”

Album Review: Amanda Shires – To The Sunset

Amanda Shires’ music has always had a distinctive poetic vision and style that sets her apart from the average solo songwriters. On this new album To The Sunset she steps away from the acoustic sound of her last record to fully embrace the electric and unpredictable feel that was hinted at on some of her earlier releases. Working again with Americana super producer Dave Cobb these ten songs each feel like a vital progression of an artist who is reaching the pinnacle of her powers. Continue reading “Album Review: Amanda Shires – To The Sunset”

Album Review: Kendl Winter – Stumbler’s Business

To stumble is to almost make a mistake, to fall towards the wrong direction but save yourself just before it’s too late. In Stumbler’s Business, the new album by The Lowest Pair’s Kendl Winter, potential mistakes become moments of learning and growth. Musically the album is full of atmospheric banjo strumming which creates a dreamy folk sound. Continue reading “Album Review: Kendl Winter – Stumbler’s Business”

Live Review – Amythyst Kiah @ Edinburgh Jazz & Blues Festival

Hailing from Johnson City, Tennessee Amythyst Kiah is a contemporary blues and folk singer, with a real connection to the history of Appalachian music. This was the second of her two shows at the Edinburgh Jazz and Blues festival where she has successfully performed for the last three years. The audience in the Piccolo venue were treated to an evening of stories and songs from a troubadour of the highest quality. Continue reading “Live Review – Amythyst Kiah @ Edinburgh Jazz & Blues Festival”

Album Review: Erin Rae – Putting on Airs

The cover of Erin Rae’s new album is a painting by Nashville artist Harry Underwood, depicting a barroom scene – in it a woman puts a song on the jukebox, a man sits at the bar and the space between them is both small and vast at the same time. The painting, and the songs contained within, capture that sense of alienation and sadness which exist in everyday moments. ‘Putting on Airs’ is an album of breathtaking beauty, an intimate impression of American life. Continue reading “Album Review: Erin Rae – Putting on Airs”

Live Review: Gretchen Peters & Kim Richey @ Queen’s Hall, Edinburgh

Not long into her performance Gretchen Peters announced ‘If you don’t like sad songs then you’re in the wrong place,’ much to the amusement of the crowd, who all knew exactly what they were getting themselves into when they took their seats. Before the show people were even cheerily buying notebooks and t-shirts emblazoned with the slogan ‘sad songs make me happy’, which were for sale at the merchandise stand. Embracing the joy of melancholy is something Scottish people are famous for, after all.  Continue reading “Live Review: Gretchen Peters & Kim Richey @ Queen’s Hall, Edinburgh”

Album Review: Carter Sampson – Lucky

The whimsical portrait on the cover of this new album from Carter Sampson appears to show a woman comfortable with the world. Sure, she holds a horseshoe for luck but she’s not wishing for endless riches or anything outrageous like that. Her smile suggests she’s counting her blessings and appreciating the life she has right now. The music on ‘Lucky’ reflects this peaceful contentedness, with its warm and inviting country sound. Continue reading “Album Review: Carter Sampson – Lucky”

Album Review: Kim Richey – Edgeland

On Kim Richey’s first album for nearly five years she has worked with a variety of different musicians including Chuck Prophet, Mando Saenz and Jenny Queen. The title might suggest she’s trying something new but Edgeland seems to be more a reflection of where she is in life: traveling on the margins, a place where you can watch the world go by and contemplate life from a distance. The excellent songwriting on this album proves ‘Edgeland’ is a place to spend some quality time in. Continue reading “Album Review: Kim Richey – Edgeland”

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