Album Review: Alela Diane – Who’s Keeping Time?

In a world of online influencers selling false versions of themselves for profit, it seems absurd that musicians are now expected to produce content and compete for attention on the same platforms. And yet here we are. 

Portland based indie folk songwriter Alela Diane has been someone whose social media feels more like a natural reflection of her life, very low-key DIY, with a wry smile that suggests she’s playing the game without taking it too seriously. She’s filmed videos in her stunning Victorian home, featured her pets and children, partnered with eco-fashion brand Christy Dawn, wearing them in her social media content and on stage, while always keeping the focus on the most important element: the music. 

This new album was recorded in her own home studio, and she has recently made a deliberate choice to engage with her local music community again after many years focused on motherhood. Although it must be said that even if her attention was elsewhere she’s never really been away from music releasing Cusp, Looking Glass and It’s Always Christmas Somewhere with the Hackles in the ten years since this blog began in 2017.  Her new album ‘Who’s Keeping Time?’ is full of beautiful, warmly rich sounding songs which she will be touring far and wide in the upcoming year, another sign of her renewed ambition. 

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Album Review: Michaela Anne – These Are the Days

The cover image of Michaela Anne’s new album ‘These Are the Days’ is a powerful statement about how being an artist and a mother is not only possible, it is natural and normal. It’s wild this kind of image still feels radical in 2026, and yet it is. The music industry is still a tough place for women, let alone mothers, and we just have to be thankful to artists like Michaela Anne willing to share the both the beauty and challenges of their lives through their music.

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Album Review: Mikaela Davis – Graceland Way

Inspired by Emmylou Harris, Sheryl Crow and Tom Petty, Mikaela Davis has described her new album ‘Graceland Way’ as ‘Canyon Country’ with its widescreen, shimmering Californian sound. Another key influence on the album are bands like Cocteau Twins, The Sundays and Mazzy Star with Mikaela introducing the term ‘bootgaze’ to me, which is a mash up of country and shoegaze. If you’re not sold on that description alone then one listen to this album and you will find yourself falling in love with these songs. 

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EP Review: Natalie Wildgoose – Rural Hours 

I first heard Natalie Wildgoose when listening through all the female artists performing at this year’s Celtic Connections festival and was immediately struck by her beautiful voice and intriguing folk music. The songs on her excellent new EP Rural Hours were recorded while spending time in North Yorkshire, with minimal instrumentation, mainly on pianos she found in different locations, using vintage recording tape to evoke a romantic soundscape of the sublime. 

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Album Review: Morgan Nagler – I’ve Got Nothing to Lose, and I’m Losing It

Alongside her indie band Whispertown, Morgan Nagler has also written songs with artists like Gillian Welch, Phoebe Bridgers, Haim and Kim Deal. She’s been best friends with Jenny Lewis for years and has recently been supporting Rilo Kiley on their reunion tour. Her debut solo album ‘I’ve Got Nothing to Lose, and I’m Losing It’ is the culmination of a life in music and a testament to her independent spirit. 

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Album Review: Mitski – Nothing’s About to Happen to Me

The last Mitski album I reviewed was 2018’s ‘Be the Cowboy’ which was a dark and intriguing look into the psyche of an emerging young artist. I saw her at a festival in 2019, playing low down on the bill, unknown by most of the crowd, partly performing hiding under a table. Even if some of the performance was inexplicably odd you could tell then she had the guts and gravitas to become a star. 

Since then she’s gone stratospheric, with viral success during the pandemic, an actual chart hit and a younger generation of fans embracing her music to the point of extremes.  For a while it felt strange and uncomfortable being an older Mitski fan since her crowd had skewed so young. 

This new album was recorded with the intention of going back to her indie rock basics, after three albums of gothic synth pop. In the end the songs dictated the music and she did bring in some more orchestral arrangements, some Americana sounding flourishes and weirder elements too.  

‘Nothing’s About to Happen to Me’ is centred around the story of a woman living alone, dealing with the recent break-up of a long term relationship, inspired by Grey Gardens, Shirley Jackson, cats and Victorian houses. 

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Live Review: Florence and the Machine @ The Hydro, Glasgow 9/2/26

At the start of Season 6 of Buffy the Vampire Slayer, the main character has to dig herself out of her own grave after being violently brought back from the dead. Afterwards she walks through riot-strewn streets of fire, disorientated and bleeding, asking: ‘Is this hell?’ The rest of the season she spirals into crippling depression, apathy and a self-destructive relationship.

Florence Welch considered calling her last album ‘Season 6’ in honour of that arc, so much did she see herself in Buffy’s struggle. During her last tour Florence suffered a broken foot on stage, before losing her unborn child and nearly dying with complications of that ectopic pregnancy. Hell and back doesn’t even begin to cover it.

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