Laura Veirs’s new album is the first she’s entirely recorded and produced herself and the first in four years since Found Light. Her garden studio is called ‘Temple of Bloom’ and this was where ‘Temple Songs’ was born, after living through a songwriting drought she has reframed as a ‘gathering phase’. The seeds of that work have grown into songs whose roots feel surprisingly strong.
Continue reading “Album Review: Laura Veirs – Temple Songs”Album Review: Allison Russell – In the Hour of Chaos
On her recent appearance on the lovely ‘Playing Along with Norah Jones’ podcast Allison Russell described her favourite part of making music as ‘the collaboration’, calling her fellow musicians on this new album ‘In the Hour of Chaos’ a ‘rainbow coalition’.
Allison begins her third solo album by singing an ode to the ‘Rainbow’, offering herself a reminder to keep hold of her childhood innocence, knowing as an adult that’s ‘it’s not easy to keep all seven colours in your mind’. The song sets the tone for an album that understands the pain of the world, and seeks solace through connection and celebration.
Continue reading “Album Review: Allison Russell – In the Hour of Chaos “Live Review: Alela Diane @ Days Off Festival, Paris 5/7/26
I hadn’t planned on going to Paris last weekend. I had seen a while back that Alela Diane and Kevin Morby were playing Paris one day after the other during my summer holiday but a trip to Paris in summer was surely going to be too hot and too expensive.
And yet as the time drew nearer I felt like it would be more wrong not to go, especially considering these were two of my favourites who’d both released brilliant new albums this year and neither artist were playing Scotland on this tour schedule. The heat looked to be dipping a little back under thirty degrees on the weather forecast (in the end it was stifling) and I got some extra money for work I did in June. So off I went.
Continue reading “Live Review: Alela Diane @ Days Off Festival, Paris 5/7/26”Album Review: Violet Grohl – Be Sweet to Me
I’m just going to start by saying that nepo babies are fine with me if they meet two criteria: they have to be talented and their parents have to be cool. I have no problem with Rosanne Cash, for example and I don’t think many other music fans do either. The thing that people hate about nepo babies is the same thing that draws us to them. We want to know if they have whatever their parents had. We want to know if they’d make it without their last name.
Of all the nepo babies making waves right now the one I am instinctively drawn to is twenty year old Violet Grohl. She looks cool, with her soft goth aesthetic and attempt to bring back skinny eyebrows. Her influences are perfect – including The Breeders, PJ Harvey, Jeff Buckley and Soundgarden. She’s who you’d want your kid to be, or your kids to listen to.
Continue reading “Album Review: Violet Grohl – Be Sweet to Me”Album Review: Alela Diane – Who’s Keeping Time?
In a world of online influencers selling false versions of themselves for profit, it seems absurd that musicians are now expected to produce content and compete for attention on the same platforms. And yet here we are.
Portland based indie folk songwriter Alela Diane has been someone whose social media feels more like a natural reflection of her life, very low-key DIY, with a wry smile that suggests she’s playing the game without taking it too seriously. She’s filmed videos in her stunning Victorian home, featured her pets and children, partnered with eco-fashion brand Christy Dawn, wearing them in her social media content and on stage, while always keeping the focus on the most important element: the music.
This new album was recorded in her own home studio, and she has recently made a deliberate choice to engage with her local music community again after many years focused on motherhood. Although it must be said that even if her attention was elsewhere she’s never really been away from music releasing Cusp, Looking Glass and It’s Always Christmas Somewhere with the Hackles in the ten years since this blog began in 2017. Her new album ‘Who’s Keeping Time?’ is full of beautiful, warmly rich sounding songs which she will be touring far and wide in the upcoming year, another sign of her renewed ambition.
Continue reading “Album Review: Alela Diane – Who’s Keeping Time?”Album Review: Michaela Anne – These Are the Days
The cover image of Michaela Anne’s new album ‘These Are the Days’ is a powerful statement about how being an artist and a mother is not only possible, it is natural and normal. It’s wild this kind of image still feels radical in 2026, and yet it is. The music industry is still a tough place for women, let alone mothers, and we just have to be thankful to artists like Michaela Anne willing to share the both the beauty and challenges of their lives through their music.
Continue reading “Album Review: Michaela Anne – These Are the Days”Album Review: Mikaela Davis – Graceland Way
Inspired by Emmylou Harris, Sheryl Crow and Tom Petty, Mikaela Davis has described her new album ‘Graceland Way’ as ‘Canyon Country’ with its widescreen, shimmering Californian sound. Another key influence on the album are bands like Cocteau Twins, The Sundays and Mazzy Star with Mikaela introducing the term ‘bootgaze’ to me, which is a mash up of country and shoegaze. If you’re not sold on that description alone then one listen to this album and you will find yourself falling in love with these songs.
Continue reading “Album Review: Mikaela Davis – Graceland Way”EP Review: Natalie Wildgoose – Rural Hours
I first heard Natalie Wildgoose when listening through all the female artists performing at this year’s Celtic Connections festival and was immediately struck by her beautiful voice and intriguing folk music. The songs on her excellent new EP Rural Hours were recorded while spending time in North Yorkshire, with minimal instrumentation, mainly on pianos she found in different locations, using vintage recording tape to evoke a romantic soundscape of the sublime.
Continue reading “EP Review: Natalie Wildgoose – Rural Hours “Album Review: Morgan Nagler – I’ve Got Nothing to Lose, and I’m Losing It
Alongside her indie band Whispertown, Morgan Nagler has also written songs with artists like Gillian Welch, Phoebe Bridgers, Haim and Kim Deal. She’s been best friends with Jenny Lewis for years and has recently been supporting Rilo Kiley on their reunion tour. Her debut solo album ‘I’ve Got Nothing to Lose, and I’m Losing It’ is the culmination of a life in music and a testament to her independent spirit.
Continue reading “Album Review: Morgan Nagler – I’ve Got Nothing to Lose, and I’m Losing It”