Album Review: Natalia Lafourcade – Un Canto Por Mexico

The power of Mexican folk songs, traditions and culture is conveyed in Natalia Lafourcade’s new album Un Canto Por Mexico. Lafourcade has described the album as representing a visit to a Mexican market – the people, the sights, sounds, everything you find in such a place is in her music. To walk with her in song is to join in with a joyful celebration of life.

Her last project, the Musas albums, shifted Lafourcade’s focus towards folk music, taking her artistic ambitions in a revelatory direction. From there she was nominated for the Oscar for her contribution to the Coco soundtrack and she performed at the Grammys. Her star in Mexico is huge and she is now rightfully known beyond the narrow confines of ‘world music’. What Lafourcade is doing is transforming traditional folk music for a modern Mexican audience, and showing that to sing for your county is to sing from your own soul. Continue reading “Album Review: Natalia Lafourcade – Un Canto Por Mexico”

EP Review: Anoushka Shankar – Love Letters

Sitarist Anoushka Shankar began working on her new EP Love Letters after going through a particularly difficult time in her private life. The songs address the complex reality of dealing with her divorce and its emotional aftermath.

Shankar chose to work mainly with other women on this project, seeking solace from her female friendships. As she explained in a recent interview, “I really got to experience the way women show up for each other when crisis strikes. And, that’s really where this music came from — the shared experience of women, holding my hand and helping me find a safe place to put some of my feelings”. She works with an array of women on the album from guest singers to engineer Heba Kadry and illustrator Azeema Nur. Continue reading “EP Review: Anoushka Shankar – Love Letters”

Album Review: Rhiannon Giddens with Francesco Turrisi – there is no Other

Rhiannon Giddens collects songs, instruments and stories from all through history and synthesises them perfectly with her modern musical purpose. She believes in teaching us the failings of the past, to better understand our present. On her new album she has paired up with Italian virtuoso musician Francesco Turrisi, someone who shares her connection with folk music history, with his expertise in Islamic, Mediterranean and eastern styles. By pairing together on this album ‘there is no Other‘ (capitalisation deliberate) they want to show that no matter where we come from we are all one voice, one history, one future.

Continue reading “Album Review: Rhiannon Giddens with Francesco Turrisi – there is no Other”

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