Album Review: Brandi Carlile – In These Silent Days

When Brandi Carlile won her Grammy for Best Americana album her speech was not just a moment of personal celebration, it was also a statement about the genre itself:

Americana music is the island of the misfit toys. I am such a misfit. It is this music that has shaped my life and made me who I am. I came out of the closet at 15 years old…and I can assure that you I was never invited to any parties and never got to attend a dance. To be embraced by this enduring & loving community has been the dance of a lifetime. Thank you for being my island.

To find a place where your difference makes you not an outcast but part of a kind and harmonious patchwork of people is not just what a musical genre can be, it’s an ideal that America, and the world itself, should strive for. A lifted lamp by the golden door. A welcome for all. Continue reading “Album Review: Brandi Carlile – In These Silent Days”

Album Review: Adia Victoria – A Southern Gothic

On her last album Adia Victoria was deep in the Silences, wrestling with death, the devil and the blues. Last year, in response to the turbulent traumas inflicted on her country, she released the potent single ‘South Gotta Change’, a rallying call for a new American future. Interesting then that ‘A Southern Gothic’ does not include that song, offering instead a narrative arc which explores the push and pull of the place she has long been ‘stuck in’, ultimately finding some peace within the oppressive reality of living in the South. Continue reading “Album Review: Adia Victoria – A Southern Gothic”

Dolly Parton’s Discography: Little Sparrow (2001)

On Dolly’s album ‘Eagle When She Flies the sparrow of the title song was broken, small, defeated in comparison with the soaring majesty of the bird of prey. Here on her second full length bluegrass album Little Sparrow, the title track takes that idea further with the sparrow as a symbol of femininity, fragility, which men ‘crush’.

The sorrow never ends,’ Dolly sings with an understanding of the tragedy of a woman’s life. Musically this melody was adapted from an old folk song. Her voice is quietly hushed, the music a haunting tale of heartbreak. She has a confidence in her vision on these albums and with the help of the excellent band she realises it with stunning authenticity and immediacy.

The photos for this album were shot by Jim Harrington who recalls that Dolly wanted a ‘grittier…back-to-her-roots’ aesthetic. He shot the pictures in a cabin outside of Nashville, creating an eerie out of time kind of atmosphere. Dolly leans on the ‘blue’ of the genre here, singing a darker, more reflective take on the genre. In fact Dolly called the album ‘blue mountain music’. Continue reading “Dolly Parton’s Discography: Little Sparrow (2001)”

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