The Highwomen Are Finally Here! Thoughts On ‘Redesigning Women’

Last Friday we finally heard the first new music from the country music dream team The Highwomen. This project has been much talked about, with endless teases in interviews and hype on social media to the point where I began to worry the weight of expectations was going to crush the whole thing before it even began. I’m pleased to report that so far, so damn good. Continue reading “The Highwomen Are Finally Here! Thoughts On ‘Redesigning Women’”

The Differences Between Music Journalists & Bloggers and Why We All Should Work Together Anyway

I was reading a great interview with Marissa Moss the other day which outlined some thoughts she had on the difference between journalism and music blogging. This got me thinking about some of the wider issues that I have observed since starting my own blog.

When I first started Highway Queens I had dreams of creating a professional level magazine and writing to the same standards as a paid journalist. Soon I realised that not only was this an impossible task for one person, it wasn’t what blogging was for at all. Here’s my thoughts on what those differences are and why we all need to work together anyway. Continue reading “The Differences Between Music Journalists & Bloggers and Why We All Should Work Together Anyway”

Fifty Women in Music Who Deserve Their Own Biopics

After seeing the Elton John biopic Rocketman last week, I began thinking about all the women in music who should have their story told on the silver screen. Rocketman was an interesting film but I was disappointed by the fact that they mentioned Mama Cass, going so far as to recreate her home for a party scene and yet the woman herself did not appear on screen – not even for a fleeting cameo (Kiki Dee didn’t fare much better either but at least she had a line). Like many women in music history Cass appeared sidelined in favour of the bigger story of the man. Continue reading “Fifty Women in Music Who Deserve Their Own Biopics”

On Album Covers, Judgement and Objectification

Jenny Lewis’s new album has a striking cover picture of her wearing a cut out dress. The image was a glamorous twin of her cover for previous album ‘The Voyager’. On that album she had worn a rainbow suit inspired by Gram Parsons and the headless shot focused all our attention on that outfit. The ‘On The Line’ cover is almost an identical shot but this time Jenny is in a satin jumpsuit, her hair styled and her cleavage exposed. Those in the know connected the images together and understood that the new album cover was a metaphor for Jenny freeing herself from the past, glamming up in response to all the dark times she had gone through. Later she acknowledged the image was also in honour of her late mother, a Vegas lounge singer who wore similar stage outfits designed by Bob Mackie and who had a mole in the exact same spot on her chest. Continue reading “On Album Covers, Judgement and Objectification”

Album of the Year: Courtney Marie Andrews – May Your Kindness Remain

At the end of her recent live show in Glasgow, Courtney Marie Andrews parted the crowd and jumped down off the stage to meet her people. In the centre of the room she began singing the title track to her album ‘May Your Kindness Remain’ entirely unplugged. Without amplification the already epic song somehow grew in sound and stature. We stood round her in awe, smiling and wiping away tears. When she finished she received a roar from the crowd, all of whom were thankful to be witness to this musical moment of sense and sanity in an ever spinning world.

Courtney Marie Andrews is a songwriter who asks questions – of her listeners and of herself. She makes us consider the importance of kindness, compassion, love. The power and presence of her music in my life this year has been such a gift and thus there was only one possible choice for the Highway Queens album of the year. Continue reading “Album of the Year: Courtney Marie Andrews – May Your Kindness Remain”

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