Recent BBC research has found that only 6% of headline acts at festivals this year are women, and shockingly there are no female headliners at Glastonbury at all, despite its liberal leftie reputation. Lorde, the biggest star out there right now is only second on the bill on the second stage! Is it really that much to ask in the 21st century to have female headliners and a 50/50 split of male and female acts on a festival bill? Continue reading “Festivals Are Failing Female Acts”
When Tina Turned the Country On!
The early life of Anna Mae Bullock sounds like the story of a potential country music star – she was raised in rural Tennessee, she worked in the fields, she only listened to country and western on the radio, she spent her childhood singing in church, her parents abandoned her and she raised herself the hard way. However instead of taking the path to the Grand Ole Opry she joined Ike Turner’s rhythm and blues band in St Louis, became Tina Turner and the rest is music history.
In the sixties and early seventies everything about her life was under Ike’s megalomaniacal control – it was his name, his songs, his style, his fist, his way. When Tina released her debut solo album, Tina Turns the Country On! in 1974 this signalled the beginning of her attempt to break with Ike both personally and professionally. While ultimately a commercial failure, the album is a fascinating glimpse into the life and times of one of music’s most successful female performers. Continue reading “When Tina Turned the Country On!”
The Problem With ‘Nashville Live’
This week the stars of the TV show Nashville are in Britain to tour. Take a look at these venues – Royal Albert Hall, Birmingham Arena, Glasgow Hydro – these have huge capacities and most of these shows are selling well. It seems ludicrous, really, considering none of the people on this bill have ever had a hit song or even released a successful album of their own. Continue reading “The Problem With ‘Nashville Live’”
Album Review: Amanda Anne Platt & The Honeycutters
For this new record the lead singer of The Honeycutters, Amanda Anne Platt, decided to give herself top billing for the first time. Her name is emblazoned on the front of the album as she stands alone underneath, smiling. Such feelings of happiness and confidence run throughout the sound of this self-titled album. Continue reading “Album Review: Amanda Anne Platt & The Honeycutters”
Jessi Colter: More Than Just An Outlaw’s Lady
In her new memoir Jessi Colter tells the intriguing story of her life, love, family and faith. Of course she writes about her marriage to Waylon Jennings but what is also fascinating about this story is reading about Colter’s development as a songwriter. Continue reading “Jessi Colter: More Than Just An Outlaw’s Lady”
What I’ve Learned From Three Months of Music Blogging
My blog is officially three months old today! I feel I’ve learned so much about what is involved with music blogging and just wanted to share my thoughts on the experience so far. Continue reading “What I’ve Learned From Three Months of Music Blogging”
Thoughts on the Scottish Album of the Year Longlist
The longlist for the prestigious Scottish Album of the Year award was announced last week in Glasgow. The last two winners were both female: Kathryn Joseph for her stunning album Bones You Have Thrown Me And Blood I’ve Spilled in 2015 and last year Anna Meredith won for her experimental opus Varmints. This year there is an interesting mix of albums nominated for the award (the full list can be found here) and so I thought I’d share some thoughts on the long listed albums which are by female artists. Continue reading “Thoughts on the Scottish Album of the Year Longlist”
Bobbie Gentry and the Power of Mystery
‘It was the 3rd of June, another sleepy, dusty, Delta day,’ sings Bobbie Gentry in the opening of her most famous song Ode to Billie Joe, setting the scene for one of music’s most elusive mysteries. This song and the album of the same name is the topic of a book by Tara Murtha in her contribution to the 33 1/3 series about significant albums, published by Bloomsbury. Murtha explores both the recording and release of this album, alongside the life and eventual disappearance of Bobbie Gentry herself. Continue reading “Bobbie Gentry and the Power of Mystery”
Review: Ward Thomas – A Shorter Story
Ward Thomas, a self-proclaimed UK ‘country’ music act showed some promise on their debut album but their follow up Cartwheels was over-produced pop music that barely referenced the genre they made their name in. This new EP of bland cover versions, A Shorter Story, is another disappointing misstep in their musical direction. Continue reading “Review: Ward Thomas – A Shorter Story”