Why the Grand Ole Opry Still Matters

Back in 2019 I visited Nashville for the first time and secured a ticket for the legendary Grand Ole Opry, which turns 100 this week. As a quite recent convert to country music at the time I was still learning about the institution. As a music fan, however, I knew the idea that there was a venue where every week you could see a varied line up of different quality artists playing live was something to treasure. 

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Album Review: Margo Price – Hard Headed Woman

After two albums where she strayed somewhat from her country music roots, Margo Price is back in the genre she started in with the release of this new album ‘Hard Headed Woman’. This week she played the Opry, wearing clothes loaned from Loretta Lynn’s archive, suggesting Margo has come home, all guns blazing, ready to take back the genre once again. 

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Album Review – Kathleen Edwards: Billionaire 

Twelve ago Kathleen Edwards was done with music. She even opened a cafe called Quitters. Then she quit that too. Now she has returned to music with a renewed appreciation of just playing with other people, for other people.  

When Jason Isbell offered to produce and have his band the 400 Unit play on her new record, Kathleen wept. During the recording process she says she learned how to trust herself, and just get it done. ‘Billionaire’ is an enjoyable listen (apart from one notable song, more of which in a moment) and overall it’s one of the strongest Americana albums released so far this year. 

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Album Review: Lola Kirke – Trailblazer

After releasing a fantastic EP called ‘Country Curious’ last year, Lola Kirke followed that up with a book of personal essays called ‘Wild West Village’ which explored her upbringing and life in a bohemian family. By moving to Nashville and leaning towards country music she’s been walking a different path than might be expected from your typical artsy New Yorker.

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