Album Review: Brit Taylor  – Land of the Forgotten 

Brit Taylor was inspired by listening to the great women of country music for this new album, specifically Patty Loveless and Lee Ann Womack. What she also noticed was how both artists had enlisted their husbands as producers, and so she continued that trend by working with her husband Adam Chaffins. Her last album ‘Kentucky Blue’ was produced by Sturgill Simpson, so he had big boots to fill. The result of their collaboration ‘Land of the Forgotten’ is a hugely enjoyable album of terrific, toe-tapping country tunes. 

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Album Review: Mitski – Nothing’s About to Happen to Me

The last Mitski album I reviewed was 2018’s ‘Be the Cowboy’ which was a dark and intriguing look into the psyche of an emerging young artist. I saw her at a festival in 2019, playing low down on the bill, unknown by most of the crowd, partly performing hiding under a table. Even if some of the performance was inexplicably odd you could tell then she had the guts and gravitas to become a star. 

Since then she’s gone stratospheric, with viral success during the pandemic, an actual chart hit and a younger generation of fans embracing her music to the point of extremes.  For a while it felt strange and uncomfortable being an older Mitski fan since her crowd had skewed so young. 

This new album was recorded with the intention of going back to her indie rock basics, after three albums of gothic synth pop. In the end the songs dictated the music and she did bring in some more orchestral arrangements, some Americana sounding flourishes and weirder elements too.  

‘Nothing’s About to Happen to Me’ is centred around the story of a woman living alone, dealing with the recent break-up of a long term relationship, inspired by Grey Gardens, Shirley Jackson, cats and Victorian houses. 

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Album Review: Lucinda Williams – World’s Gone Wrong

Lucinda Williams has previously released three albums with the word ‘world’ in the title. The first was her 1992 classic ‘Sweet Old World’ where the title song was a poignant tribute to a friend who died by suicide, lamenting his loss and singing of all the beauty they’d left behind. She re-recorded that album in 2017, calling it ‘This Sweet Old World’ as though she was trying to bring back to life the innocent optimism she’d once had. Then there was ‘World Without Tears’ her 2003 album, that seemed to arrive at a kind of weary acceptance of the reality of life’s pain and suffering. 

Her new album ‘World’s Gone Wrong’ has more of the latter’s tone, and yet that positivity of ‘Sweet Old World’ still simmers just below the surface. What this album also brings is a continued fiery spirit that started with her ‘Good Souls Better Angels’ album and suggests she’s become more of an activist, more confident in her politics, more outward looking in her music the older she gets. 

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Album Review: Della Mae – Magic Accident 

Della Mae’s previous albums have been filled with such heart, humanity and fierce feminism that I’ve always thought they were one of the most underrated bands in the Americana / Bluegrass space. 

New album ‘Magic Accident’ was recorded in Nashville with producer Alison Brown, who also plays banjo on the album and has signed the band to her label Compass Records. This is an album showing the power of female collaboration, offering ten tracks of sunshine and strength. 

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Album Review: Melissa Carper – A Very Carper Christmas 

Melissa Carper is on a hot streak after her last few brilliant solo albums and her work with Wonder Women of Country and she has now released this sparkling new Christmas album. Unlike so many other festive offerings ‘A Very Carper Christmas’ is a collection of nearly all originals, written mainly with her old bandmate Gina Gallina plus Brennen Leigh and Katie Shore. 

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Album Review: Maren Morris – Dreamsicle 

When ‘Dreamsicle’ was released earlier this year, I decided against reviewing for a couple of different reasons. Firstly my favourite songs on the album had already been released on the ‘Intermission EP’ which I had reviewed in 2024. Secondly I wasn’t initially sold on some of the other songs on the album after that first listen. 

However before I went to see Maren in November I started listening to the album properly and found myself falling in love with it, especially the last few songs. Another stand out for me was the title track ‘Dreamsicle’ a sweet ballad about appreciating what you have in life and not dreaming away the present. Even better was the fact that this was a solo write from Maren. Take away all the big producers, the songwriters and what was left was a huge talent with a vulnerable and endearing heart. 

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