After three long and turbulent years C2C festival finally made its welcome return to Glasgow this past weekend. Two years ago it suffered from being the first of the major covid cancellations. Last year’s festival was also postponed, since the date hit right during the second wave. Many fans still had tickets from two years ago – for a completely different line up. The fact that this 2022 festival went on without a hitch is a miracle. Credit to all involved for bringing us Scottish fans a much needed booster dose of country music. Continue reading “Live Review: Miranda Lambert & Country to Country Festival, Glasgow Hydro 13/03/22”
Album Review: Hurray For the Riff Raff – Life on Earth
The first thing I have to say about the new Hurray For the Riff Raff album is that visuals are startlingly weird. On the cover Alynda looks like an extra from some 80s Io-fi swamp movie, and one of the videos released cast them as a nature punk, with a mullet, cavorting around drenched in blood. You can see why some of the below the line comments on the recent Guardian interview accused the artist of the crime of pretentious hipsterdom. Personally, I love their offbeat style. Alynda is unafraid of transformation, their artistry has vision, ideas, personality and above all something much rarer in this modern, homogenised music industry: individuality. Continue reading “Album Review: Hurray For the Riff Raff – Life on Earth”
Live Review: Transatlantic Sessions @ Celtic Connections, 06/02/22
Rarely has such an evening of musical collaboration and connection been more needed or gratefully received – by artist and audience alike. Transatlantic Sessions began over twenty years ago to celebrate and forge links between traditional Scottish, Irish and North American musicians. After Omicron wiped out the Americana portion of the Celtic Connections programme, the only remaining North Americans who traveled to Glasgow for the festival were those on stage for this traditional evening of shared stories and songs. A rare moment of light in a bleak winter. Continue reading “Live Review: Transatlantic Sessions @ Celtic Connections, 06/02/22”
Album Review: Aoife O’Donovan – Age of Apathy
Apathy is defined as a lack of interest, enthusiasm or concern. Back in the nineties such feelings of such disconnect were actively cultivated as a way to cope with the madness of the world. Yet in the modern, hyper-connected new century we are constantly bombarded with an expectation that we actually care about everything. Sometimes that in itself takes its toll. On her new album Aoife O’Donovan wonders what it might be like to live in an ‘Age of Apathy’ where life and love are simple and free from the lingering malaise. Continue reading “Album Review: Aoife O’Donovan – Age of Apathy”
Album Review: Pistol Annies – Hell of a Holiday
For me the best Christmas music contains truths about the emotional complexity of the season: from the drunken conflict of Fairytale of New York to the aching sadness of River by Joni Mitchell. Too many recent Christmas albums seem content with cliched offerings or weak cover versions of classics designed to capitalise on the streaming algorithm, rather than having anything meaningful to say about the season.
Luckily for us then our resident reality check heroines Pistol Annies are here to offer us something fresh with their brilliant new Christmas album Hell of a Holiday. We last found Miranda Lambert, Angaleena Presley and Ashley Monroe on the Interstate Gospel, searching for comfort in Jesus and dealing with heartbreak, inertia and family trouble. Christmas then, being the time of year where women and relationships are stretched to the limit, is a natural fit for their songwriting skills. Continue reading “Album Review: Pistol Annies – Hell of a Holiday”
Album Review: Emily Scott Robinson – American Siren
After seeing Nanci Griffith in concert years ago Emily Scott Robinson wrote her first song and began dreaming of a music career. After many years of hard work she signed to John Prine’s label ‘Oh Boy Records’, releasing this new album ‘American Siren’. Continue reading “Album Review: Emily Scott Robinson – American Siren”
Album Review: Morgan Wade – Reckless
Morgan Wade’s album ‘Reckless’, produced by Sadler Vaden, has just been awarded Rolling Stone’s Best Country Album of the year. Such an accolade for a relative newcomer tells you that this is a breakthrough artist to pay attention to. She’s been added to next year’s C2C line up as well, suggesting that her star quality also has mainstream appeal. Continue reading “Album Review: Morgan Wade – Reckless”
Album Review: Margo Cilker – Pohorylle
Margo Cilker lives in Eastern Oregon but has travelled all over, her wanderlust reflected in her music of open skies and long, lonely roads. She’s now signed to Loose Records here in the U.K. and Pohorylle has been gained spots in many Americana albums of the year lists. Continue reading “Album Review: Margo Cilker – Pohorylle”
Album Review: Carly Pearce – 29: Written in Stone
During the recent nominations ceremony for the upcoming Grammy awards there was one notable absentee from the country categories – Carly Pearce. Perhaps her snub was even more obvious since they’d invited her to present some of the nominations on the telecast, which is usually an indication of future success. Many fans took to twitter to highlight the injustice, underlining the fact that, with or without award nominations, 2021 has been a fantastic year for the woman from Kentucky. Continue reading “Album Review: Carly Pearce – 29: Written in Stone”