In the video for her new version of Coal Miner’s Daughter, Loretta Lynn swings on a porch seat, speaking the words to her most famous song with a blissful contentment that comes from a life well lived. Compared to other country legends at similar points in their career (see the existential crisis of Johnny Cash’s ‘Hurt’) Loretta appears serene.

That old cabin in Butcher Hollow she speaks of is from another century, another world long gone. Now she is a queen on a throne, almost ready to pass her title to those successors in waiting but not quite done ruling her kingdom just yet. Her crown rests lightly on the arm, the glitz of her ballgown and jewellery as dazzling as her defiant stare. The signature guitar at her side, Loretta looks ‘Still Woman Enough’ to reign supreme. Continue reading “Album Review: Loretta Lynn – Still Woman Enough” →