The word Ruins suggests the destruction of something but at the same time what’s left behind can be valuable too – a glimpse of the past to help us understand where we come from, where we’ve been, who we once were. This new album from First Aid Kit was written after a difficult period personally and professionally when sisters Klara and Johanna Söderberg had begun living apart for the first time. It’s an album about heartbreak, growing up and making mistakes, and while it’s true this band have always had wisdom beyond their years, Ruins is filled with a sense of grace and hard won maturity. Continue reading “Album Review: First Aid Kit – Ruins”
On ‘Libba’ & How Folk Musician Elizabeth Cotten Inspired Laura Veirs
Acclaimed singer songwriter Laura Veirs is a longtime fan of the music of Elizabeth Cotten, the folk musician known as ‘Libba’, who is the subject of her beautiful picture book published by Chronicle Books. Cotten’s story is astonishing – a self taught guitarist who was only discovered in later life due to an unexpectedly wonderful twist of fate. Continue reading “On ‘Libba’ & How Folk Musician Elizabeth Cotten Inspired Laura Veirs”
Album Review: Caitlyn Smith – Starfire
There’s been some brilliant albums by renowned Nashville songwriters released recently, as though now is the time for the real talent to step out from the shadows. Albums by Natalie Hemby, Lori McKenna and Liz Rose were quiet, understated affairs but Starfire by Caitlyn Smith has the confidence and bravado of a true performer, with vocals so stunning you find yourself thinking back to the first time you heard Chris Stapleton in terms of the command she has of her instrument. How this woman is only now releasing her debut album when she’s in her thirties seems utterly incredible. Continue reading “Album Review: Caitlyn Smith – Starfire”
Dolly’s Discography: Hello, I’m Dolly
One of my 2018 blog resolutions was to review an artist’s entire discography, inspired by the incredible blog The Diana Ross Project. I contemplated a few possible artists but in the end the chosen one could only be Dolly Parton. These posts will consist of track by track reviews of the solo albums in order of release.
In February 1967 Dolly Parton announced herself to the world with her debut album Hello, I’m Dolly. She was only 21 but had been singing since she was a child and trying to make a name for herself after moving to Nashville when she graduated high school. Initially her record label Monument hoped she could be a pop singer but her early singles failed to chart. She was paid $50 a week to write for the label and when songs she penned with her uncle Bill Owens became hits for other artists, Dolly was finally given a chance to record a country album. And boy, did she grab the opportunity with both hands, and she’s never let go since. Dolly wrote or co-wrote ten of the twelve songs, covering themes of sexism, adultery and heartbreak. This album generated her first hits and eventually brought her to the attention of Porter Wagoner. Continue reading “Dolly’s Discography: Hello, I’m Dolly”
Album Review: CupcakKe – Ephorize
When analysing the album of the year polls in December one thing was clear: rap is the dominant genre in music right now. Yet in 2017 albums by female rappers were almost completely shut out from critical and commercial success. In the Stereogum Rap Top 40 Albums of the Year only a handful of women appeared, most of whom were somewhat underground artists like Princess Nokia and Rapsody, in comparison to most of the men on the lists who are populating the mainstream.
Cardi B might have had one of the biggest songs of the year but she’s not an album artist yet, concerning herself with singles and mixtapes instead. Her music is going stratospheric but will she just end up being the one woman who is successful in this era (as per this Pitchfork ‘women in rap’ theory), or can she open the door for a wider range of female rappers to enter the music scene?
Rapper CupcakKe has made a promising start to the year, presenting her unique vision on this engaging and exhilarating album Ephorize. Continue reading “Album Review: CupcakKe – Ephorize”
Most Popular Reviews of 2017
This is an end of year round up post with links to my top ten most read reviews across 2017. Thank you for reading.
Album Review: Gwen Stefani – You Make It Feel Like Christmas
We all need a little bit of festive cheer to get us through the rest of 2017, a year that somehow managed to even surpass the hell that was 2016. Every year I enjoy those few weeks in December when I can listen to any old cheesy Christmas song on repeat. I was looking for a new Christmas album to review this year and stumbled onto Gwen Stefani’s Christmas special on TV the other day and it had enough sparkle to cheer up any Scrooge. The accompanying album You Make it Feel Like Christmas is a flourish of festive fun from start to finish. Continue reading “Album Review: Gwen Stefani – You Make It Feel Like Christmas”
E.P. Review: Lydia Loveless – Live from the Vinyl Emergency Podcast
Vinyl Emergency is a podcast presented by Jim Hanke which discusses the importance of vinyl records with a host of different artists, music industry people and collectors. Previous guests have included Rosanne Cash, The Secret Sisters and Lilly Hiatt talking about topics such as their childhood memories of music right through to their thoughts on the recent vinyl resurgence. The latest episode features Lydia Loveless and the three tracks she played live during the show have also been released as an EP called Live From the Vinyl Emergency Podcast. Continue reading “E.P. Review: Lydia Loveless – Live from the Vinyl Emergency Podcast”
Album Review: Mavis Staples – If All I Was Was Black
When The Staple Singers started out in the sixties they had a simple mission, as outlined by Pops himself: ‘We want to sing about what’s happening in the world today, and if it’s something bad, we want to sing a song to try to fix it.” Fast forward fifty years and the world is as broken as ever. You’d forgive Mavis Staples if she was disillusioned with the mission. As she says ‘lately, things are looking worse than they have ever looked.’ And yet, as she sings on this album, there’s no time for crying. If All I Was Was Black is an album concerned with bringing harmony and hope back to the poor huddled masses. Continue reading “Album Review: Mavis Staples – If All I Was Was Black”