On Music & Materialism

Last week musical platform Bandcamp waived fees on their site, allowing artists the entire profit of sales from downloads, physical music and merchandise. In the face of the worldwide collapse of the live music industry and the closure of record stores this was a way to directly support artists and contribute something to the economy of the music industry in a positive way – if you could afford it that is.

As I logged onto my social media feed and saw the infinite number of tweets asking people to buy music I felt more than a little overwhelmed. Consumerism and the demands to constantly buy, buy, buy is one aspect of the music industry which can be difficult to deal with at the best of times, let alone during a global pandemic. Continue reading “On Music & Materialism” →

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Dolly Parton’s Discography – Rainbow (1987)

Rainbow was the first of Dolly’s albums for her new record label Columbia, after her nearly two decade long relationship with RCA ended. When signing with CBS she reportedly envisioned rotating the style of her albums, with one pure pop followed by one pure country. The problem with that plan was exposed almost immediately. Rainbow was Dolly’s lowest charting album for nearly fifteen years and the Trio album with Emmylou and Linda (also released this year) was her most successful in a decade. The public had spoken: they wanted Dolly back singing country music. At age 41 her pop dream was dead. Continue reading “Dolly Parton’s Discography – Rainbow (1987)” →

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Album Review: Lucinda Williams – Good Souls Better Angels

Lucinda Williams comes from a long line of rebels with passionate causes. Her family were liberals, feminists, pacifists, integrationists, union organisers, civil rights protestors willing to stand up in the face of inequality and injustice. As a teenager she herself was thrown out of high school for refusing to pledge allegiance to the flag, as part of her opposition to the Vietnam war.

To be a punk is to have a spirit of rebellion – being willing to stand apart and defy the way that society wants us to live. Musically the movement was about simplicity, directness, anger: three chords and the screaming truth. On this new album Good Souls Better Angels Lucinda Williams lets her punk rock spirit loose with staggeringly brilliant results. Continue reading “Album Review: Lucinda Williams – Good Souls Better Angels” →

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Album Review: Anna Burch – If You’re Dreaming

Anna Burch’s last album Quit the Curse was full of smart, understated indie pop that quietly sparkled. After a busy schedule of touring she returns with a new album If You’re Dreaming, which was recorded with producer Sam Evian at his studio in the Catskills. Musically the songs on the album are slow and gentle, suggesting a songwriter learning how to go at her own pace. Continue reading “Album Review: Anna Burch – If You’re Dreaming” →

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Album Review: Laura Marling – Song For Our Daughter

Why should I die so you can live? Laura Marling sings on the opening track of her new album Song For Our Daughter. Alexandra was partly inspired by a Leonard Cohen song and also how over history women were often only valued in what they could offer men – as muses or as mothers. Marling sings these songs for her own imagined daughter, dreaming of a future where women can live and love in a world free from such bullshit. Continue reading “Album Review: Laura Marling – Song For Our Daughter” →

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Album Review: Ashley McBryde – Never Will

Having had an amazing run through to the Grammys earlier this year with Girl Goin Nowhere, Ashley McBryde had some really strong momentum to build on heading into this new album Never Will. Sure there has been limited success at country radio (which is insane considering how good her singles are) but she hasn’t let that stop her. In the end it is the live show where an artist can build an audience of fans who buy records, merch and make careers. And live is where this artist shines. Most of these country chart toppers will soon be forgotten and Ashley will still be out there playing to big crowds in the decades to come. Talent, grit and songs will always win out. Continue reading “Album Review: Ashley McBryde – Never Will” →

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Album Review: Waxahatchee – Saint Cloud

The final song on Waxahatchee’s last album gave us some clues as to the next direction her music might take. Fade was an introspective, acoustic track that felt like a quiet sonic reset after the blistering indie rock on the rest of Out in the Storm, while lyrically it explored her internal struggle to assert her identity in a toxic relationship. On Saint Cloud we thankfully find her in a much better place – being newly sober and in love. Musically too she embraces a breezier Americana sound, evoking early Lucinda Williams, her songwriting hero. Continue reading “Album Review: Waxahatchee – Saint Cloud” →

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