‘This is a really special show,’ Caroline Spence announced during her set in Glasgow’s Glad Cafe on a chilly Friday evening. She was being self-deprecating after fluffing a few chords, but the warm response from the crowd proved that it really was the truth. Continue reading “Live Review: Caroline Spence with Roseanne Reid @ The Glad Cafe, Glasgow”
Album Review: Karen & the Sorrows – Guaranteed Broken Heart
When I first started the blog back in 2017 one of my favourite new artist discoveries was New York based Karen and the Sorrows, a band front by Karen Pittleman who were expanding the horizons of alternative country music. Finding a place in the genre has always been challenging for minority groups so it was a breath of fresh air to hear a band that were proudly queer and committed to creating safe space for LGBT fans who didn’t connect with its conservative, traditional roots. Continue reading “Album Review: Karen & the Sorrows – Guaranteed Broken Heart”
What Patsy Cline Taught Loretta Lynn About Friendship
Next week sees the release of a Lifetime movie based on the friendship between two country music legends, Pasty Cline and Loretta Lynn. Before it hits our screens I thought I’d take a look back to Loretta’s biography ‘Coal Miner’s Daughter’ and find out more about the connection between these two legendary artists. Continue reading “What Patsy Cline Taught Loretta Lynn About Friendship”
Album Review: Kelsey Waldon – White Noise / White Lines
Only here for a moment, then we’re gone, Kelsey Waldon sings on the title track of White Noise/White Lines. She’s seizing the day sure enough, and the results are a record that twangs and rattles with energy and life. Continue reading “Album Review: Kelsey Waldon – White Noise / White Lines”
Album Review: Dori Freeman – Every Single Star
For those music fans in the know, Dori Freeman has been a quietly shining star on the scene for some time now. Her previous two albums were gorgeous Americana and folk music inspired by her Appalachian roots, produced by Teddy Thompson. On her third album Every Single Star she continues the run of excellent form, writing every song solo and working again with producer Thompson. Continue reading “Album Review: Dori Freeman – Every Single Star”
Album Review: Michaela Anne – Desert Dove
In a recent interview singer songwriter Michaela Anne spoke of a time when she lived in New York and was afraid to admit she liked country music because it was seen as lowbrow and ‘trash’. Now she happily admits to loving Shania, the Dixie Chicks as well as Lucinda Williams and Emmylou. Learning to love who you really are is one idea explored on her excellent new album Desert Dove. Produced by Sam Outlaw and Kelly Winrich, the album’s natural, effortless style suggests Michaela Anne is an artist who is now comfortable embracing her own personal, and musical, identity. Continue reading “Album Review: Michaela Anne – Desert Dove”
E.P. Review: Black Sea Dahu – No Fire in the Sand
The autumn leaves are starting to fall and the nights are drawing in, so what better to soundtrack the change of season than a lovely little introspective indie folk record. Black Sea Dahu are led by Swiss singer songwriter Janine Cathrein who wrote these songs after a breakup in an attempt to make sense of the ever shifting world around her. Continue reading “E.P. Review: Black Sea Dahu – No Fire in the Sand”
Album Review: Brittany Howard – Jaime
Brittany Howard has always had ambition to be known as more than just a vintage soul singer, as proven by the second Alabama Shakes album and her alter ego Thunderbitch. Her new solo album, Jaime, is named after her sister who died in childhood and takes musical inspiration from wildly diverse genres and styles. Jaime is a personal odyssey of discovery where in an attempt to deconstruct her past, musically and personally, she has created something thrillingly present. Continue reading “Album Review: Brittany Howard – Jaime”
The Little Eva Who Could
Legend had it that when Carole King heard her newly hired babysitter Eva Narcissus Boyd sing she yelled, ‘Stop! We must record that voice!’. Another story often told is that Eva’s dancing around her living room inspired the lyrics to The Locomotion. Truthfully, King and her husband Gerry Goffin knew exactly how good a singer Eva was when they hired her as a babysitter, since she had been singing on demos and working with their girl group the Cookies. Continue reading “The Little Eva Who Could”