Review: Allison Moorer‬ – ‘Blood’

Blood, Allison Moorer’s new memoir and album, recounts the shocking story of how her father killed her mother and then himself after years of abusive behaviour. The unmitigated horror of her childhood experience is faced head on and she contemplates the legacy of such trauma and loss in her adult life. Unflinchingly honest and achingly raw, Blood is one of the most profoundly moving testaments to the pain of grief and the power of love that I have ever experienced. Continue reading “Review: Allison Moorer‬ – ‘Blood’” →

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Dolly Parton’s Discography: Heartbreak Express (1982)

1981 was a significant year for Dolly – it was the first gap in her album release schedule since her debut in 1967. During some of those years she had released up to three albums a year, and such insane productivity had led her to country music superstardom, moderate pop success, opportunities in Hollywood but ultimately brought her to her knees. It is during this time in the early eighties she endured a crisis, with serious personal and health concerns that led her to contemplate suicide. Furthermore the difficulties of filming her movie ‘The Best Little Whorehouse in Texas’ would prove that becoming a Hollywood star was not the stuff her dreams had been made of. Continue reading “Dolly Parton’s Discography: Heartbreak Express (1982)” →

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E.P. Review: Aoife O’Donovan – In the Magic Hour Solo Sessions

After touring with the collective I’m With Her for most of the last couple of years Aoife O’Donovan is now back as a solo artist releasing her new acoustic E.P. ‘In the Magic Hour Solo Sessions’. As suggested by the title four of these songs are versions of tracks from her last solo album ‘In the Magic Hour’ which was released in 2016 and she also adds a couple of well chosen cover songs to the track-listing. Continue reading “E.P. Review: Aoife O’Donovan – In the Magic Hour Solo Sessions” →

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Album Review: Miranda Lambert – Wildcard

Miranda Lambert’s last album The Weight of These Wings and the Pistol Annies’ Interstate Gospel are not just two of my favourite records of the last few years but indeed of all time. The former is one of the reasons I started writing this blog, and the latter has been a constant friend to me ever since its release. So to say I have been waiting in anticipation for Miranda’s new record is somewhat of an understatement.

On the other hand my intense connection with those two records has also made me nervous. After all how could anyone, even a country music genius like Miranda Lambert, possibly follow up the emotional depth and lyrical scope of those two albums?  Continue reading “Album Review: Miranda Lambert – Wildcard” →

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