a music blog
It’s half way through the year so thought I would do a round up post of my favourite albums and songs so far. This may change as the year goes on, as things fall away or reignite and as new albums are released but here are my thoughts right now. Continue reading “Favourite Albums & Songs of 2017 So Far”
Denai Moore’s Twitter bio describes herself as ’23. Genre free. Heart full of gold, stomach full of tea’ and these feelings of youth, musical freedom, love and a little whimsy are woven into the expansive sounds and lyrical textures of her lovely second album We Used to Bloom. Continue reading “Album Review: Denai Moore – We Used To Bloom”
Recent BBC research has found that only 6% of headline acts at festivals this year are women, and shockingly there are no female headliners at Glastonbury at all, despite its liberal leftie reputation. Lorde, the biggest star out there right now is only second on the bill on the second stage! Is it really that much to ask in the 21st century to have female headliners and a 50/50 split of male and female acts on a festival bill? Continue reading “Festivals Are Failing Female Acts”
Beth Ditto has always been a queen to me, a trailblazing inspiration in music, fashion and life. It’s amazing to have her back and now standing solo with her debut album Fake Sugar. Continue reading “Album Review: Beth Ditto – Fake Sugar”
Big Thief have wasted no time in following up their debut album Masterpiece, which was released last year. Their new album Capacity feels like an inward retreat, a record of introspection both lyrically and musically. Continue reading “Album Review: Big Thief – Capacity”
The early life of Anna Mae Bullock sounds like the story of a potential country music star – she was raised in rural Tennessee, she worked in the fields, she only listened to country and western on the radio, she spent her childhood singing in church, her parents abandoned her and she raised herself the hard way. However instead of taking the path to the Grand Ole Opry she joined Ike Turner’s rhythm and blues band in St Louis, became Tina Turner and the rest is music history.
In the sixties and early seventies everything about her life was under Ike’s megalomaniacal control – it was his name, his songs, his style, his fist, his way. When Tina released her debut solo album, Tina Turns the Country On! in 1974 this signalled the beginning of her attempt to break with Ike both personally and professionally. While ultimately a commercial failure, the album is a fascinating glimpse into the life and times of one of music’s most successful female performers. Continue reading “When Tina Turned the Country On!”
This week the stars of the TV show Nashville are in Britain to tour. Take a look at these venues – Royal Albert Hall, Birmingham Arena, Glasgow Hydro – these have huge capacities and most of these shows are selling well. It seems ludicrous, really, considering none of the people on this bill have ever had a hit song or even released a successful album of their own. Continue reading “The Problem With ‘Nashville Live’”
For this new record the lead singer of The Honeycutters, Amanda Anne Platt, decided to give herself top billing for the first time. Her name is emblazoned on the front of the album as she stands alone underneath, smiling. Such feelings of happiness and confidence run throughout the sound of this self-titled album. Continue reading “Album Review: Amanda Anne Platt & The Honeycutters”
The lights dim, the film starts to whir and on screen a statue sparkles before the title credits appear. Here we have Ala.Ni starring in You & I – a tale of love and heartbreak. The screen blurs and with a crackle of vinyl the sound of music plays and we are transported back to a beguiling bygone age. Continue reading “Album Review: Ala.Ni – You & I”
Highway Queens 