Songs of the Year 2025

This year I made a rolling playlist of my favourite songs on Apple Music which has been hugely helpful in keeping track of what I’ve enjoyed listening to. I’ve always kept a list of songs from albums I review on Spotify but that doesn’t catch every single. 

Another useful app for me is Last FM which I’ve been using since 2006 to count what I listen to. Sometimes the numbers are skewed because I have to listen to something more to review it, or just because a song came out at the beginning of the year but it still helps me to see what music I’ve gone back to. 

So using those metrics alongside my own gut instinct here are my top 20 favourite songs of the year sung by women. Apologies to the artists who I just haven’t had a chance to listen to this year. Share yours in the comments and let me know what I missed! 

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Album Review: Sharon Van Etten & The Attachment Theory 

After the glorious achievement  of producing two epic modern classics in ‘Seventeen’ and ‘Like We Used To’ Sharon Van Etten’s last album was more understated, hazy and, for me, a little bit of a let down overall. After regrouping Sharon decided to try something new for this project – working collaboratively with her band on the songwriting and vision for the first time. The results are still resolutely a Sharon Van Etten album but there’s something more edgy and dramatic to the style and the sound. 

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Album Review: Lindi Ortega – From the Ether

A few years back I went to see Lindi Ortega play live in Glasgow, hoping to write a review of the show. I loved all her previous albums, especially the last one Liberty, and was looking forward to seeing her talent on stage. 

Unfortunately a few songs into the show I realised something was off. At first it seemed like an issue with the sound mix, Lindi’s vocals being too high or perhaps she couldn’t hear herself sing. When she played acoustic or quieter songs her voice was perfect, beautiful. At other times, she sounded strained, a little out of time and tune. I felt unable to write any kind of review of the show, considering how much she was struggling. 

The issue, it turned out, wasn’t confined to that one evening. Later she admitted to having issues with her in-ear monitors, which caused her to overcompensate and damage her voice. Soon she was terrified to play live and quit music altogether for four years.

But then after dealing with some difficult personal circumstances, she began writing songs again. With so much new music to share, she worked with vocal coaches to regain her confidence performing live.  

The result of this work is ‘From the Ether’, an album of haunting, unusual songs on a ghostly theme. Somewhat surprisingly considering her issues, there’s a stripped back, sparse sound to the record. Her vocals are given time to breathe, to work their quiet magic again without the crushing sound of a full band. 

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Album Review: Nikki Lane – Denim and Diamonds

‘Making a record with Nikki Lane saved my life. Her songs about life, love, loss and just plain picking yourself up to go for another round in the ring…helped me do the same,’ Josh Homme declared on Instagram last week, a sentiment which honours the power of the Highway Queen herself and also references the trouble he’s been in lately. Truly I know how he feels, since I started this blog five years ago during a particularly low point in my life, after being inspired by Nikki’s spirit, attitude and musical style.

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Album Review: Leona Naess – Brood X

In the early 00s, Leona Naess released albums of beautiful songs conveying the ache of desire and the devastation of broken hearts. After a particularly difficult time in her personal life she took a break from music to become a mother. Years passed and I always wondered what she was up to – following her on social media in the hope of finding out about new music. This year my patience was rewarded with the release of Brood X, a joyful and surprisingly poppy collection of new songs exploring motherhood, marriage, life and loss.

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Album Review: Amanda Shires – Take It Like a Man

The highlight of Amanda Shires’s pre-pandemic album ‘To the Sunset’ was a song called ‘Break Out the Champagne’ which was about embracing the apocalypse with a defiant shrug and celebration. Get on with the shit show, she hollered, as if she sensed trouble was brewing up ahead.

On the surface it seemed like Shires had it all: successful solo career, creator of the supergroup the Highwomen, famous husband Jason Isbell, gorgeous daughter, the privilege of beauty, brains, a nice house and home studio, money for expensive designer clothes and round the world travel. What could she have to worry about?

Yet behind the scenes, Shires admits to having been in turmoil. In the studio her music was criticised and she felt overlooked (by whom she has not been specific, but previous producer Dave Cobb is notably absent here). She also admitted that her and Jason endured a fractious time when recording the 400 Unit album ‘Reunions’. 

Then the pandemic hit and soon Shires felt like quitting music altogether. 

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