a music blog about women in Americana & beyond
Last year Atlanta based band The Whiskey Gentry released a great album of witty country songs called Dead Ringer and now their front-woman Lauren Morrow is stepping out solo with this superb self-titled EP. Lauren has recently moved to Nashville and the four songs featured on the EP were recorded at the Creative Workshop studio, produced by Parker Cason. Continue reading “EP Review: Lauren Morrow”
After writing my recent post about Dolly Parton’s 1974 album Jolene, I thought I would delve a little deeper into the title song and contemplate its influence on country music and beyond. Of course this song has generated endless cover versions from artists as wide ranging as The White Stripes, Reba McEntire, Strawberry Switchblade and Olivia Newton John but what I’m interested in is how Jolene has inspired the songwriting of others.
Jolene connected with listeners because it was a nakedly vulnerable song, full of fear, desperation, panic and even paranoia. Partly what makes this song memorable is the simplicity of that repeated use of Jolene, sung over thirty times and the ominous beat underneath. But it is the characters that Dolly created who really make this song so iconic. We sympathise with the narrator because everyone has doubted themselves or felt that stab of jealousy when your beloved notices another. And the title character is so vividly drawn, with her ‘flaming locks of auburn hair…ivory skin and eyes of emerald green’ that you can’t help wanting to know more about Jolene’s story.
Here is a brief list of songs, some which are written in direct response to Jolene, others which just echo this modern classic but all of which owe a debt to Dolly. Continue reading “Under Her Influence: Songs Inspired by Dolly Parton’s ‘Jolene’”
From the ominous opening beat of Jolene, it’s immediately clear that this song is unlike anything else Dolly Parton had ever recorded in her career. Sonically the groove is dark and menacing, with the repeated ‘Jolene’ sounding more and more desperate as the song goes on. The simplicity of the structure adds to appeal of the song – three chords and the truth is no cliche when it is done this well. Continue reading “Dolly Parton’s Discography: Jolene”
Having suffered a stroke and a broken hip in the last few years, you might expect living legend Loretta Lynn to be taking it easy now she is in her eighties. Instead, after a little delay for her recovery, she is releasing her third of five planned new albums produced by John Carter Cash and her daughter Patsy Lynn Russell. Loretta’s music remains steadfastly traditional and ‘Wouldn’t It Be Great’ contains a mix of re-recorded songs and new material in the classic country style which made her name. Continue reading “Album Review: Loretta Lynn – Wouldn’t It Be Great”
Five long years have passed since the Pistol Annies’ second album Annie Up and in that time Miranda Lambert, Ashley Monroe and Angaleena Presley have all released critically acclaimed solo albums and been through some serious living. Thankfully Holler, Hippie and Lone Star Annie have finally found time in their busy and dramatic lives to reunite and record a new album.
Over the last few days fans have been getting postcards in the mail from the band, which might seem retro but these slices of American life are signs which tell a story. Hidden on these postcards are clues to the new album, which fans have been encouraged to share on social media using the hashtag #PistolAnniesAreBack.
Here’s everything we know about the album so far (also keep checking the hashtag for real time updates). Continue reading “Pistol Annies Are Back! Here’s Everything We Know About Their Return”
Americana singer Kari Arnett is currently based in Minneapolis but like so many great artists before her she has a plan to move to Nashville. Her debut album When The Dust Settles is full of quality songwriting and has a rich roots sound which suggests her spirit is already haunting the hallowed streets of Music City. There’s also real resilience and grit in the wise heart of this album. Continue reading “Album Review: Kari Arnett – When The Dust Settles”
Few artists have had the sustained success in country music as Carrie Underwood. When more and more women in the genre are seeing doors slam in their faces and are making moves towards pop or Americana or indie or oblivion Carrie has remained at the top of the game, faithful to the genre and its songwriters. She seemed to be the only one immune to the misogyny of the mainstream country music genre – hitting the top of the charts, getting support from radio and streaming platforms, headlining festivals, winning awards, selling records.
However two long years have passed since her last album, and the landscape has shifted so much that even she is now feeling the impact, with the lead single from this album underperforming (albeit only against her own high standards). At a time when the mainstream needs Carrie Underwood she has bravely decided to try something a little different, a little more thoughtful, a little more personal. Cry Pretty might not be what radio wants to hear but in my eyes that means it might just be her most important album to date. Continue reading “Album Review: Cry Pretty – Carrie Underwood”
On her 1973 album Bubbling Over we find Dolly changing direction again, moving away from the deeply personal, autobiographical songs of My Tennessee Mountain Home. This lighter album feels like another step towards finding the sound that would eventually help her make the breakthrough beyond the country charts. The cover image is memorably kitsch with Dolly’s grinning face emerging from a fountain, taken by Les Leverett near the Country Music Hall of Fame. Continue reading “Dolly Parton’s Discography – Bubbling Over”
Clare Bowen has just finished a six season stint playing reluctant singer songwriter Scarlett O’Connor on the hit show Nashville and is now forging her own path in the music industry for real, leaving a trail of joy and glitter behind her. Last week she released her lovely debut album and arrived in Glasgow to perform as part of her first solo U.K. tour, backed by a band which included her husband, brother and long time Nashville music director Colin Linden. The show was a warm and friendly family affair, showcasing a singer with enough charisma and sparkle to light up any room. Continue reading “Live Review: Clare Bowen @ Royal Concert Hall, Glasgow”
Highway Queens 