Tag: Country

Album Review: Ashley Campbell – The Lonely One

For women in country music in 2018 there appears to be two distinct paths to success: embrace pop trends in the hope of gaining one of the very rare slots available on radio or plough a more alternative Americana furrow in the hope of gaining credibility as an independent artist. The problem then is what happens to women who fall somewhere in between the two worlds. Ashley Campbell has a natural poppy style but like Kacey Musgraves before her, she embraces tradition and actually plays instruments. Where she fits in the industry is hard to say but The Lonely One is a fun and varied listen, showcasing a promising talent who deserves to be recognised on her own merit. Continue reading “Album Review: Ashley Campbell – The Lonely One” →

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Dolly’s Discography – The Fairest of Them All

Mirror, mirror on the wall, who’s the fairest of them all? Well it can only be Dolly Parton, of course, even if this album cover has her wearing one of the most ridiculous outfits of her career. Despite the impression the garish cover gives this does not mean Dolly has embraced bubblegum pop or turned into a glitzy rhinestone cowgirl (those aspects of her career are yet to come). Instead this album, released in 1970, contains southern gothic short stories of traumatic and tragic lives, continuing the trend of her previous album My Blue Ridge Mountain Boy. Dolly writes all but one of these songs, and the album really benefits from being free of the cover versions and throwaway music row songs that weakened her earlier albums. Continue reading “Dolly’s Discography – The Fairest of Them All” →

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Live Review: Country to Country Festival, Glasgow, Friday 9th March 2018

You could tell this was going to be a good day because it was unusually sunny in Glasgow, with thankfully no sign of the snowmaggedon conditions that had caused shows to be cancelled at the same venue last week. I was at the Hydro to attend Country 2 Country festival, which brings the best of Nashville to the UK for three days every March. The Friday evening show featured performances from Lukas Nelson, Ashley Campbell, Midland, Margo Price, Emmylou Harris and Little Big Town. Continue reading “Live Review: Country to Country Festival, Glasgow, Friday 9th March 2018” →

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Album Review: Vivian Leva – Time is Everything

Virginia native Vivian Leva grew up steeped in the Appalachian tradition, learning from her parents who were both musicians. She began singing on stage aged nine and then formed many bands, developing a deep understanding of country, bluegrass and old time music. Her debut collection Time is Everything weaves these influences with modern Americana to create bittersweet songs full of wisdom about the nature of life and love. Continue reading “Album Review: Vivian Leva – Time is Everything” →

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Album Review: Courtney Patton – What It’s Like To Fly Alone

On a long drive home after a show Courtney Patton was shocked when a hawk flew in front of her car. Alone on that road she found herself identifying with the bird and its solitary pursuits. When she got home she wrote a song that would be the centrepiece to this, her third solo album. Courtney’s music is steeped in traditional country, down in the earth with the lives of her characters. What It’s Like To Fly Alone weaves stories of loneliness, winding highways, regret, love and grief into songs that are some of the most haunting music you will hear all year. Continue reading “Album Review: Courtney Patton – What It’s Like To Fly Alone” →

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Album Review: Bonnie Montgomery – Forever

Traditional country has been having a good year in 2018 so far, with albums from Laura Benitez and Courtney Patton plus this new one from Bonnie Montgomery. Bonnie is from Arkansas and recorded Forever at the Ameripolitan studio in Austin, Texas which is owned by Dale Watson, who appears on the album and Chris Burns, who is her producer. The album cover shows the beautiful open highway, and these songs are a perfect soundtrack for highway queens and vagabonds everywhere. Continue reading “Album Review: Bonnie Montgomery – Forever” →

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Dolly’s Discography – My Blue Ridge Mountain Boy

Picasso’s ‘Blue’ period was characterised by dark and somber paintings, expressing the emotional turmoil of the traumas of his youth. For a woman known to bring sunshine and rainbows it’s perhaps a surprise to find an album in Dolly Parton’s career which creates a similar morose tone, lyrically if not musically. There were no hits generated from My Blue Ridge Mountain Boy and the music confronts topics that she would shy away from as her career progressed: death, suicide, prostitution, pain, failure, anger, regret and suffering. Continue reading “Dolly’s Discography – My Blue Ridge Mountain Boy” →

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Dolly’s Discography – In The Good Old Days (When Times Were Bad)

When Dolly joined Porter’s popular television show there was an inevitable backlash from the audience, who were used to hearing their favourite Norma Jean and stubbornly resistant to change. In order to increase her public popularity Porter masterminded a campaign to flood the market with as much music by Dolly Parton as possible. He would make her a star, come what may.

In the years 1968 and 1969 Dolly released three solo albums and featured on three duet albums with Porter. Even for someone of Dolly’s prodigious songwriting talent that’s spreading yourself extremely thin. On these six albums there are 22 original songs written by Dolly, not counting her multiple co-writes, which suggests there’s at least one classic album lost among all the filler.

In the Good Old Days (When Times Were Bad) was the first of two solo albums released in 1969, reaching number 15 on the country charts. Since their duet albums were regularly hitting the top ten at this point, Dolly’s solo work appears to be struggling somewhat in comparison. While production is again credited to Bob Ferguson, Porter himself was in charge of the sound, much to the eventual frustration of Dolly herself. This album features a few gems but it is padded out by recordings of popular country hits, which makes it by far her weakest early collection. Continue reading “Dolly’s Discography – In The Good Old Days (When Times Were Bad)” →

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Laura Benitez and the Heartache – With All Its Thorns

It’s my opinion that the current attempt in the blogosphere to ‘save’ country music is misguided and ultimately irrelevant. Genre boundaries are useful for the marketing people but artists should be free to go in any direction they wish – look at how the most popular Americana artists of the last few years are heavily indebted to indie and rock, as much as mainstream country is chained to pop and RnB. Blurring the lines of genre doesn’t cause any harm if the music is good, especially when there are still some artists out there who are concerned with keeping the traditional sounds authentic and alive. With All Its Thorns by Laura Benitez and the Heartache would have sounded like ‘classic’ country music twenty years ago but that feeling of nostalgia is exactly why this album is so appealing. Continue reading “Laura Benitez and the Heartache – With All Its Thorns” →

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