Dolly’s Discography – Page 6

Picasso’s ‘Blue’ period was characterised by dark and somber paintings, expressing the emotional turmoil of the traumas of his youth. For a woman known to bring sunshine and rainbows it’s perhaps a surprise to find an album in Dolly Parton’s career which creates a similar morose tone, lyrically if not musically. There were no hits generated from My Blue Ridge Mountain Boy and the music confronts topics that she would shy away from as her career progressed: death, suicide, prostitution, pain, failure, anger, regret and suffering. Continue reading “Dolly’s Discography – My Blue Ridge Mountain Boy” →

When Dolly joined Porter’s popular television show there was an inevitable backlash from the audience, who were used to hearing their favourite Norma Jean and stubbornly resistant to change. In order to increase her public popularity Porter masterminded a campaign to flood the market with as much music by Dolly Parton as possible. He would make her a star, come what may.

In the years 1968 and 1969 Dolly released three solo albums and featured on three duet albums with Porter. Even for someone of Dolly’s prodigious songwriting talent that’s spreading yourself extremely thin. On these six albums there are 22 original songs written by Dolly, not counting her multiple co-writes, which suggests there’s at least one classic album lost among all the filler.

In the Good Old Days (When Times Were Bad) was the first of two solo albums released in 1969, reaching number 15 on the country charts. Since their duet albums were regularly hitting the top ten at this point, Dolly’s solo work appears to be struggling somewhat in comparison. While production is again credited to Bob Ferguson, Porter himself was in charge of the sound, much to the eventual frustration of Dolly herself. This album features a few gems but it is padded out by recordings of popular country hits, which makes it by far her weakest early collection. Continue reading “Dolly’s Discography – In The Good Old Days (When Times Were Bad)” →

Dolly’s career changed in 1967 when she got a phone call from Porter Wagoner. At first she thought he wanted to record one of her songs with his onscreen partner, Norma Jean, but little did Dolly know that she was actually being interviewed as a potential replacement for her. Soon Dolly was hired and began appearing on television performing to audiences of millions every week.

Starting on the show meant that Dolly left Monument Records and signed with Wagoner’s label RCA. Porter was central to Dolly’s move, as she explained:

“He made RCA a guarantee to get them to sign me. Porter told them he would pay them every cent they ever lost on me out of his own pocket. He never had to pay a dime.”

Porter’s belief in Dolly’s talent helped her career to flourish, although you could argue she was well on her way to success without him. Just Because I’m a Woman was released on May 4th 1968 and Bob Ferguson, RCA’s in-house man, is given the production credit, even though it was Porter himself who was in charge of the sound. The album contains songs which are populated by wronged women and suffering souls, yet somehow Dolly finds strength and even comedy in these dark moments. Continue reading “Dolly’s Discography – Just Because I’m A Woman” →

One of my 2018 blog resolutions was to review an artist’s entire discography, inspired by the incredible blog The Diana Ross Project. I contemplated a few possible artists but in the end the chosen one could only be Dolly Parton. These posts will consist of track by track reviews of the solo albums in order of release.

In February 1967 Dolly Parton announced herself to the world with her debut album Hello, I’m Dolly. She was only 21 but had been singing since she was a child and trying to make a name for herself after moving to Nashville when she graduated high school. Initially her record label Monument hoped she could be a pop singer but her early singles failed to chart. She was paid $50 a week to write for the label and when songs she penned with her uncle Bill Owens became hits for other artists, Dolly was finally given a chance to record a country album. And boy, did she grab the opportunity with both hands, and she’s never let go since. Dolly wrote or co-wrote ten of the twelve songs, covering themes of sexism, adultery and heartbreak. This album generated her first hits and eventually brought her to the attention of Porter Wagoner. Continue reading “Dolly’s Discography: Hello, I’m Dolly” →

Tag: Dolly’s Discography

Dolly’s Discography – My Blue Ridge Mountain Boy

Dolly’s Discography – In The Good Old Days (When Times Were Bad)

Dolly’s Discography – Just Because I’m A Woman

Dolly’s Discography: Hello, I’m Dolly

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