Dori Freeman’s previous albums have established her a musician with understated charm and soft country styling. Her new record Ten Thousand Roses takes a step further into the spotlight, with more confidence and personality than before. The cover art shows an artist meeting our eye, with a self-assured stare. Continue reading “Album Review: Dori Freeman – Ten Thousand Roses”
After writing about the overwhelming paradox of choice that comes from the tidal wave of music released in 2019, I started thinking about how I could recommend some of my favourite albums of the year in a different way so that no one is sent into a tailspin of anxiety about what’s cool, what’s good or worrying about what you’ve missed out on.
We should never underestimate the importance of music as self-care. I believe it is vital in helping us to deal with this tumultuous, chaotic world. While I do still plan on writing traditional ranking end of year lists too, read on for recommendations as to how 2019’s best music can be used as serious self care. Continue reading “Recommended 2019 Albums for Serious Self-Care”
For those music fans in the know, Dori Freeman has been a quietly shining star on the scene for some time now. Her previous two albums were gorgeous Americana and folk music inspired by her Appalachian roots, produced by Teddy Thompson. On her third album Every Single Star she continues the run of excellent form, writing every song solo and working again with producer Thompson. Continue reading “Album Review: Dori Freeman – Every Single Star”
Some people are always pushing forwards, blindly searching for what’s new in the aim of ‘progress’. Others prefer to stand still and look backwards to appreciate what’s come before. Folk musicians have always been concerned with keeping songs of the past alive, because they understand the power of history and memory. On Letters Never Read Dori Freeman continues the traditional Appalachian style of honest country music, expressing herself through simple heartfelt covers and original songs.