a music blog
Denai Moore’s Twitter bio describes herself as ’23. Genre free. Heart full of gold, stomach full of tea’ and these feelings of youth, musical freedom, love and a little whimsy are woven into the expansive sounds and lyrical textures of her lovely second album We Used to Bloom. Continue reading “Album Review: Denai Moore – We Used To Bloom”
Beth Ditto has always been a queen to me, a trailblazing inspiration in music, fashion and life. It’s amazing to have her back and now standing solo with her debut album Fake Sugar. Continue reading “Album Review: Beth Ditto – Fake Sugar”
Big Thief have wasted no time in following up their debut album Masterpiece, which was released last year. Their new album Capacity feels like an inward retreat, a record of introspection both lyrically and musically. Continue reading “Album Review: Big Thief – Capacity”
On Marika Hackman’s new album she reveals herself and her troubled relationship so vividly it’s almost uncomfortable at times. Much has been said of her new ‘musical direction’ but in reality ‘I’m Not Your Man‘ is just the sound of an artist finding new strength and confidence to keep walking her own path. Continue reading “Album Review: Marika Hackman – I’m Not Your Man”
The longlist for the prestigious Scottish Album of the Year award was announced last week in Glasgow. The last two winners were both female: Kathryn Joseph for her stunning album Bones You Have Thrown Me And Blood I’ve Spilled in 2015 and last year Anna Meredith won for her experimental opus Varmints. This year there is an interesting mix of albums nominated for the award (the full list can be found here) and so I thought I’d share some thoughts on the long listed albums which are by female artists. Continue reading “Thoughts on the Scottish Album of the Year Longlist”
Elizabeth Powell, the main singer songwriter of Land of Talk, spent the last few years away from the music scene, a break that was partly forced by unfortunate personal circumstances. The title Life After Youth suggests a lost innocence but on this album the music has a power which proves these life experiences have given her creativity renewed purpose. Continue reading “Album Review: Land of Talk – Life After Youth”
On the cover of her new album Double Roses, Karen Elson is in the sea, her face only partly visible above the water. Yet her straight eye stare suggests she’s comfortable there, submerged slightly but ready to emerge as a musician once again. She’s waving, not drowning. Continue reading “Album Review: Karen Elson – Double Roses”
Girlpool have always sung each song together, generating strength through their combined voices. Powerplant adds drums and grungier guitars to their lo-fi songs, successfully growing their sound and vision. Continue reading “Album Review: Girlpool – Powerplant”
To be in harmony means more than just creating a pleasing sound and on The Wild Reeds’ new album The World We Built three parallel voices combine together to create a distinct instrument all of its own.
Continue reading “Album Review – The Wild Reeds – The World We Built”
Highway Queens 