In her recent New York Times interview Kacey Musgraves joked that she ‘wasn’t going to be a real country artist without at least one divorce under my belt’. That’s the kind of self deprecating, knowing humour which she sprinkled through her first three albums, culminating in her triumphant success at the Grammys in 2019.
Golden Hour was strikingly original, hugely influential and every single song on that album could have been a radio hit. The fact the Grammys understood its power more than country radio tells you why she had to leave that genre behind. Mainstream country is a lost cause, more so now than ever – it’s become such a difficult place for most progressive female artists I’m just glad that some of them get out of there alive. Take country with you but dear god don’t look back.
star-crossed works best when listened to as a whole and indeed as a sequel – a splintering to what came before. Despite the light modern production this album strangely feels less commercial, with fewer big hooks and melodies. After the Golden Hour faded Kacey sounds like she got high and disappeared into the clouds. Blur the pain away. Continue reading “Album Review: Kacey Musgraves – star-crossed”