Album Review: The Highwomen

Flash forward to next year and imagine that the Highwomen have just won the CMA for album of the year to add to their Grammy, they have been played every hour on the hour on country radio and topped the charts with their first five singles, headlined a huge arena tour and been invited to join the Opry. Yes, Mama went and damn well changed the Nashville sound.

Doesn’t that sound like the most wonderful dream? Yet even me, the biggest Stan in all of Stanville, knows that this is unlikely, nay impossible. But why can’t it be reality, you may ask? After all Brandi Carlile, Amanda Shires, Maren Morris and Natalie Hemby are four of the most talented women in all genres of music. Together they have produced an album full of quality songwriting, gorgeous country music and enough personality to dazzle even the most dark-hearted of cynics. Continue reading “Album Review: The Highwomen”

The Highwomen Are Finally Here! Thoughts On ‘Redesigning Women’

Last Friday we finally heard the first new music from the country music dream team The Highwomen. This project has been much talked about, with endless teases in interviews and hype on social media to the point where I began to worry the weight of expectations was going to crush the whole thing before it even began. I’m pleased to report that so far, so damn good. Continue reading “The Highwomen Are Finally Here! Thoughts On ‘Redesigning Women’”

On Album Covers, Judgement and Objectification

Jenny Lewis’s new album has a striking cover picture of her wearing a cut out dress. The image was a glamorous twin of her cover for previous album ‘The Voyager’. On that album she had worn a rainbow suit inspired by Gram Parsons and the headless shot focused all our attention on that outfit. The ‘On The Line’ cover is almost an identical shot but this time Jenny is in a satin jumpsuit, her hair styled and her cleavage exposed. Those in the know connected the images together and understood that the new album cover was a metaphor for Jenny freeing herself from the past, glamming up in response to all the dark times she had gone through. Later she acknowledged the image was also in honour of her late mother, a Vegas lounge singer who wore similar stage outfits designed by Bob Mackie and who had a mole in the exact same spot on her chest. Continue reading “On Album Covers, Judgement and Objectification”

Album Review: Maren Morris – Girl

If being ‘country’ is about where you’re from and how you sing then Maren Morris has a Texan twang which should be perfect the genre. Her debut single My Church promised much – here was a singer who could sell authentic sounding country pop in a radio-friendly way. When her debut album was released it divided critics, some of whom were disappointed by the more pop leanings of the rest of her music. Those who were less concerned with genre heard a confident young singer with a talent for catchy hooks, who has since managed to find herself a place on country radio despite the odds against women succeeding in that notoriously male-dominated format.

Her second album Girl comes after recent Grammy nominations in both the country and pop categories. The traditionalists will find little to get behind here, but those predicting a full jump to EDM after her crossover guest spot on Zedd’s ‘The Middle’ are wrong. Morris forges her own path with an appealing blend of country, pop and r’n’b. Continue reading “Album Review: Maren Morris – Girl”

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