Rainbow was the first of Dolly’s albums for her new record label Columbia, after her nearly two decade long relationship with RCA ended. When signing with CBS she reportedly envisioned rotating the style of her albums, with one pure pop followed by one pure country. The problem with that plan was exposed almost immediately. Rainbow was Dolly’s lowest charting album for nearly fifteen years and the Trio album with Emmylou and Linda (also released this year) was her most successful in a decade. The public had spoken: they wanted Dolly back singing country music. At age 41 her pop dream was dead. Continue reading “Dolly Parton’s Discography – Rainbow (1987)”
Album Review: Lucinda Williams – Good Souls Better Angels
Lucinda Williams comes from a long line of rebels with passionate causes. Her family were liberals, feminists, pacifists, integrationists, union organisers, civil rights protestors willing to stand up in the face of inequality and injustice. As a teenager she herself was thrown out of high school for refusing to pledge allegiance to the flag, as part of her opposition to the Vietnam war.
To be a punk is to have a spirit of rebellion – being willing to stand apart and defy the way that society wants us to live. Musically the movement was about simplicity, directness, anger: three chords and the screaming truth. On this new album Good Souls Better Angels Lucinda Williams lets her punk rock spirit loose with staggeringly brilliant results. Continue reading “Album Review: Lucinda Williams – Good Souls Better Angels”
Album Review: Whitney Rose – We Still Go To Rodeos
In the past Whitney Rose has toyed with different genres like classic country and vintage pop but on this excellent new album We Still Go To Rodeos she finds a style that feels more distinctively her own. Continue reading “Album Review: Whitney Rose – We Still Go To Rodeos”
Album Review: Anna Burch – If You’re Dreaming
Anna Burch’s last album Quit the Curse was full of smart, understated indie pop that quietly sparkled. After a busy schedule of touring she returns with a new album If You’re Dreaming, which was recorded with producer Sam Evian at his studio in the Catskills. Musically the songs on the album are slow and gentle, suggesting a songwriter learning how to go at her own pace. Continue reading “Album Review: Anna Burch – If You’re Dreaming”
Album Review: Laura Marling – Song For Our Daughter
Why should I die so you can live? Laura Marling sings on the opening track of her new album Song For Our Daughter. Alexandra was partly inspired by a Leonard Cohen song and also how over history women were often only valued in what they could offer men – as muses or as mothers. Marling sings these songs for her own imagined daughter, dreaming of a future where women can live and love in a world free from such bullshit. Continue reading “Album Review: Laura Marling – Song For Our Daughter”
Album Review: Lilly Hiatt – Walking Proof
It’s fitting that when you buy a vinyl copy of this new Lilly Hiatt record Walking Proof you get a colouring in page with it, since her songs are about finding the confidence to be yourself and make your own individual mark on the world – even if that means shading outside the lines a little. Continue reading “Album Review: Lilly Hiatt – Walking Proof”
Album Review: Ashley McBryde – Never Will
Having had an amazing run through to the Grammys earlier this year with Girl Goin Nowhere, Ashley McBryde had some really strong momentum to build on heading into this new album Never Will. Sure there has been limited success at country radio (which is insane considering how good her singles are) but she hasn’t let that stop her. In the end it is the live show where an artist can build an audience of fans who buy records, merch and make careers. And live is where this artist shines. Most of these country chart toppers will soon be forgotten and Ashley will still be out there playing to big crowds in the decades to come. Talent, grit and songs will always win out. Continue reading “Album Review: Ashley McBryde – Never Will”
Album Review: Waxahatchee – Saint Cloud
The final song on Waxahatchee’s last album gave us some clues as to the next direction her music might take. Fade was an introspective, acoustic track that felt like a quiet sonic reset after the blistering indie rock on the rest of Out in the Storm, while lyrically it explored her internal struggle to assert her identity in a toxic relationship. On Saint Cloud we thankfully find her in a much better place – being newly sober and in love. Musically too she embraces a breezier Americana sound, evoking early Lucinda Williams, her songwriting hero. Continue reading “Album Review: Waxahatchee – Saint Cloud”
How to Survive in a World Without Live Music
A while ago I had an idea for a short story set in a post-apocalyptic world where recorded music was lost and live music was banned. Two sisters, with voices from heaven, travelled the country secretly playing shows for people despite the fact that a deadly airborne disease could strike them all down at any moment. Every night people risked their lives just to hear the music.
Unfortunately I never ended up writing that story because it seemed kind of far-fetched and I couldn’t think of an ending. Now a few weeks into this pandemic I am wondering if such depressing dystopian visions were closer to reality than we could ever have imagined.
Despite some artists optimistically rebooking shows for later in the year, I think we all have to consider the possibility that there will be no live music concerts for a very long time. At the very least it will be months not weeks, and some form of social distancing may need to be in place right up until the end of this outbreak, which could be over a year. I sincerely hope I’m wrong. But right now it just doesn’t seem plausible that travel and mass gatherings will happen when there is still such a potential risk to lives. Continue reading “How to Survive in a World Without Live Music”