Album Review: Madi Diaz – Weird Faith

Being chosen to support a pop star like Harry Styles on a massive stadium tour looks from the outside like a dream. Here’s a guaranteed payday and an opportunity to play in front of thousands of fans who probably wouldn’t normally hear your music. By choosing women from mainly the indie/alternative sphere Harry was continuing on his quest to appear both cool and inclusive, distancing himself from his reality TV, manufactured boy band past. All credit to him (or more likely his savvy management team) for giving out these opportunities.

However a little digging into the online fan culture would suggest these slots are not always groundbreaking for careers as they may seem.

Jenny Lewis faced online abuse from his fans that basically amounted to them deciding she was too old and her music too weird to support him. Despite Harry’s wish for indie credibility it was clear most of his fans were stuck in their pop lane. Typical of Jenny she didn’t give a fuck and enjoyed herself massively, making the absolute best of the opportunity despite the general apathy. Wet Leg and Wolf Alice reportedly got similarly muted responses.

Kacey Musgraves fared better since she is younger and poppier, even duetting with Harry at one point. She managed to win fans online and carry some of these over to her own shows, which began to skew younger around the time she opened for him.

So now you may be wondering what happened with Madi Diaz? She was chosen to support Harry as a solo acoustic performer, in massive stadiums when most people were probably not even in their seats yet. At least Harry was a definite fan of her music – watching her from the side of the stage, wearing her ‘Crying in Public’ T-shirt and then asking her to join his own touring band, elevating her to the main event.

Since releasing this new album Weird Faith last Friday, Madi has appeared on her first Late Night talk show, played Rough Trade and had a week that has left her ‘humbled and bewildered’. How much of this success is down to her being connected to Harry is hard to measure, but the increase in name recognition alone has been a driver in getting her music in front of a wider range of fans, myself included.

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Album Review: Lizzie No – Halfsies

On Lizzie No’s debut album, Hard Won, she showcased her talents as a harp playing folk singer with something to say and she then built on that foundation with her second record Vanity, creating a more ambitious, rockier sound. Her new record Halfsies is released in conjunction with Americana label Thirty Tigers, which is fitting since Lizzie has been a vocal advocate for more black women in country and folk music. Halfsies is a fantastic record which blends those genres along with some intriguing indie rock influences.

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Favourite Albums of the Year 2023

As 2023 draws to a close it is the traditional time for music fans to look back with love and appreciation for the music that has seen them through the year.

Before I began blogging I would scour the end of year lists in the hope of finding a gem I had missed, and more broadly as an easy way to keep up with the cultural conversation around popular music. Sometimes that has led me to getting depressed at the state of the industry but the best lists can unite fans in wonder and joy.

As a blogger generally I have listed my favourite albums of those I have reviewed, however this year I have not reviewed as many albums as usual. In fact for various reasons I haven’t written about some of my favourite and most listened to albums, including Allison Russell, Brandy Clark and Jenny Lewis.

In 2023 I returned to my old ways of taking things slower, listening at different times than the release schedule, not writing about everything I was listening to. The albums that I did write about I felt I had something to say and the time to say it.

Looking back on this I actually don’t think it was necessarily the best choice to write less, as writing helps my mood and my life, but I liked feeling less pressure to participate in the online culture. To write a blog is to take your time, to listen well and really think, which is why it is such an enriching activity.

So that’s a long winded way of getting round to my list of ten albums of the year. As per other years I keep the number one spot for a solo artist who has written the majority of their record without songwriting collaboration, as this best encapsulates the independent free spirit of what this blog is about.

I have included the link to my original review, if one exists. Please comment below with your choices and anything you’ve loved this year which you think has been overlooked!

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Why I Stopped Buying New Vinyl

A few years back I wrote a post about trying to be a more minimalist music fan, addressing many of the issues I had with the constant demands on music fans to buy more and more and more and more stuff.

After writing that post I slowly began to change my behaviour, and this year I have almost stopped buying new vinyl entirely. In fact the only album I have purchased on vinyl this year is a signed copy of Amanda Shires last album from her concert in June.

Yes, you read that right, this vinyl addict has gone nearly six months without adding anything new to their collection at all. Please send me all your praise for this remarkable feat of resistance in the comments.

Let me walk you through the reasons why I, music blogger with a record collection stretching into the hundreds, came to the blasphemous decision to stop buying new vinyl.

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Dolly Parton’s Discography: Rockstar (2023)

After being nominated for the Rock and Roll Hall of Fame, Dolly Parton at first refused, not believing her music fit the genre, before deciding that if she was going to be voted in then she might as well prove herself to be worthy of the accolade by recording her first full rock album.

My problem with the ‘Rock and Roll Hall of Fame’ has always been the name. Just what is rock and roll anyway? If it had simply called itself the ‘Music Hall of Fame’ none of these eligibility arguments would ever have occurred.

The original inductees were Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, The Everly Brothers, Buddy Holly, Jerry Lee Lewis, Little Richard and Elvis Presley. From the start there was a wide umbrella which allowed any artist who had cultural impact to be inducted. Nothing about any of those artists was the same, or indeed fit any kind of standard idea to help us define what ‘rock’ music means then or now.

Dolly, like the Rock Hall itself, also seems somewhat confused about the meaning of the genre. If this album had been more inspired by those original pioneers then she might have an interesting record. But sadly what ‘Rockstar’ reflects is what rock and roll came to be at the end of the 1980s – ridiculous, over blown, over produced, over made up, occasionally entertaining but mostly bloated performances with a hell of a lot of electric guitar.

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Album Review: More Than A Whisper: Celebrating the Music of Nanci Griffith

The untimely death of Nanci Griffith in 2021 came after a long period of declining health and retreat from recording music. Her final album, released in 2012 was described by Paste magazine as being ‘utterly shot through with vitriolic anger, disappointment, fear and dissent.’ There was an air of bitterness in some of her interviews around the time of that album, suggesting a frustration with the music industry and her legacy as a whole.

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Album Review: Dori Freeman – Do You Recall?

For her fifth album ‘Do You Recall?’ Dori Freeman has once more worked in collaboration with her husband Nicholas Falk as producer, offering us an intimate collection of new songs about love, life and the struggles of the modern world. The picture on the cover of the record echoes the soft-focus style of alternative Americana that she has perfected over the course of her career.

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