Adia Victoria is influenced by the pioneers of the blues genre, many of whom have been criminally ignored due to their race and gender. She feels a connection to those artists, like Victoria Spivey, Robert Johnson and Skip James, which goes deeper than simple admiration. Listening to her new E.P. Baby Blues you start to believe she is the reincarnation of every forgotten blues singer that ever lived. This collection of covers is dedicated to her friend Those Darlins’ Jessi Zazu, who died of cancer just before the recording. Loss and grief underscore the performances, embodying the blues but taking the sound to another distinctively darker place entirely. Continue reading “EP Review: Adia Victoria – Baby Blues”
Celtic Connections Preview
January is usually a frozen dead month for live music but in Scotland we are lucky to have a festival filled with fabulous music to keep you warm even on the coldest night. Celtic Connections runs from the 18th January to 4th February in a variety of venues all across Glasgow. Now in its 25th year the festival hosts some of the best roots, folk and traditional music from Scotland and all around the world, with a particularly strong Americana representation (when Jason Isbell played he joked that there was no one left behind in Nashville). Continue reading “Celtic Connections Preview”
Album Review: Lucinda Williams – This Sweet Old World
Pitchfork do a lot of things wrong but their article written a few years back about Lucinda Williams was an illuminating assessment of her career, expertly analysing why she remains one of the most overlooked and underrated artists in music today. In the constant search for new voices, new talent, new narratives we don’t stop to appreciate those who have been consistently producing quality music for years. The writer asked the simple question: why go looking for the new Lucinda Williams when she’s still out there playing live and releasing some of the best work of her career?
Continue reading “Album Review: Lucinda Williams – This Sweet Old World”
Album Review: Dori Freeman – Letters Never Read
Some people are always pushing forwards, blindly searching for what’s new in the aim of ‘progress’. Others prefer to stand still and look backwards to appreciate what’s come before. Folk musicians have always been concerned with keeping songs of the past alive, because they understand the power of history and memory. On Letters Never Read Dori Freeman continues the traditional Appalachian style of honest country music, expressing herself through simple heartfelt covers and original songs.
Continue reading “Album Review: Dori Freeman – Letters Never Read”
Album Review: Alessi’s Ark – Love is the Currency
Years ago when I first saw Alessi’s Ark live she appeared like she’d come to the gig straight from school, such was her youthful naivety. Time certainly flies as she’s now 27 and releasing her fourth album. Thankfully some of that original sweet innocence can still be heard on this new album Love is the Currency. She has also developed and expanded the sonic ambition of her music, working with some of The Macabees and their producer. Continue reading “Album Review: Alessi’s Ark – Love is the Currency “
Album Review: Lee Ann Womack – The Lonely, The Lonesome & the Gone
Lee Ann Womack had a long and successful mainstream country music career but a couple of years back she began releasing rootsier music that aligned itself more with what we loosely term Americana. She has been outspoken against the pop orientated sound coming out of Nashville right now, which immediately attracted me to her. Having never listened to her music before I came into this album with fresh ears and was instantly impressed. The Lonely, The Lonesome & the Gone is outstanding with quality songs and vocal performances throughout.
Continue reading “Album Review: Lee Ann Womack – The Lonely, The Lonesome & the Gone”
Favourite Female Screams
In Celtic mythology the shriek of a banshee was the sign of death approaching. Some women even worked as banshees, wailing laments for lost souls for a price. The sound of a woman screaming had power to strike fear, but at the same time it was also a howl of pain which was understood by all.
Researchers into use of language in literature identified that women invariably are described as ‘shrieking’ and ‘screaming’ while men are more likely to be said to be ‘shouting’. Therefore you could argue that screaming is seen by many as an expression of unwanted emotion, as though such outbursts are a sign of weakness or madness.
You’d think then that this would mean women would be known as the best screamers in music. Somehow the music industry bias means even this accolade is skewed in the favour of men. Quite a few publications have run ‘the best screams in music’ lists and women are poorly represented on them all. Paste magazine’s list included zero female screams, Pigeon and Planes had a few but nowhere near 50% and The Independent actually said: ‘Great female screams are quite scarce, it seems.’ That of course is totally wrong and insulting. Women have been screaming on record for a long time and they still are, just listen to the new Bully album.
So in honour of all banshees everywhere and since it’s Halloween here are my five favourite female screaming songs.
Continue reading “Favourite Female Screams”
Album Review: JULIE FOWLIS – ALTERUM
Nothing screams ‘Scottish folk singer’ more than appearing on your album cover wearing a dead pheasant on your head. It is a striking image, classic portrait in style, looking like it would be at home on the walls of any Scottish castle. Julie Fowlis, internationally known for singing the theme song from Pixar’s Brave, is the most famous Gaelic singer to emerge from Scotland in the last few years. This album may be called Alterum, suggesting change, but make no mistake this is still a collection of deeply traditional music. There are songs sung in English and two feature American star Mary Chapin Carpenter, but the album does not take her too far away from her roots. The combination of Gaelic songs, folk music and even spoken word makes this an engaging and enjoyable listen. Continue reading “Album Review: JULIE FOWLIS – ALTERUM “
October Music Haul
When I was younger I couldn’t wait until Saturday so I could go to the next town and spend what little money I had on albums and singles. Of course I lived in the middle of nowhere so the next town only had a small Woolworths shop but beggars couldn’t be choosers. I want to tell my 14 year old self one day you will be able to listen to whatever album you want instantly for FREE. I’m sure my head would explode. Yet if I explained how we got here and what we lost on the way I don’t think I would be so overjoyed at the prospect. A system which threatens independent record shops and hurts the artist is not something to celebrate. When I was a kid all I dreamed of was shelves stacked with CDs and vinyl. I have that now but I admittedly buy a lot less, leaving my collection a little frozen in time.
With those concerns in mind, and inspired by the shopping haul posts of other bloggers I am committing myself to getting out to a record shop once a month and buying something by a female artist (to keep with the blog theme). I am also hoping to expand my second hand vinyl collection so I will also show you what treasures I find. Continue reading “October Music Haul”