Author: Michelle Lindsey

I'm a music blogger based in Scotland. You are what you love, not what loves you back.

Ten Awesome Tiny Desk Concerts

 

If you have a spare fifteen minutes (or a few hours) I can think of no better way to spend it than listening to some of the best musicians playing NPR’s Tiny Desk Concert. These sessions are now legendary, breaking new artists as well as bringing in those at the top for a more intimate performance.

Of course there are so many now it can be hard to find the time to search through them, let alone watch them all so I have picked ten great ones for your viewing pleasure (and to be honest I’m partly making this list for myself so it’s easy to find the links) Enjoy!  Continue reading “Ten Awesome Tiny Desk Concerts” →

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Album Review: Raye Zaragoza – Fight For You

Despite what you might think by looking at the charts or listening to the radio there are young musicians out there who are politically engaged and writing protest songs. The ability of young people to use social media to mobilise politically has been so important in the last few years of dramatic worldwide upheaval. In music, these mediums allow independent voices to be heard and shared across the world. Raye Zaragoza is one such musician, and she has recently released her album Fight For You, which is partly a response to the North Dakota pipeline protests. Continue reading “Album Review: Raye Zaragoza – Fight For You” →

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Album Review: Bedouine – Bedouine

Spacebomb is one of the most interesting record labels in American music today, with their in house band, symphonic arrangements and attention to detail. They have already produced brilliant albums by label founder Matthew E. White and Natalie Prass so I, for one, am automatically sold on any artist they are associated with. When Azniv Korkejian approached White with her songs, Spacebomb couldn’t resist working with the talented singer/songwriter. She took on the name Bedouine, meaning wanderer, and the resultant record has a sound and texture that is both unique and yet warmly familiar. Continue reading “Album Review: Bedouine – Bedouine” →

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Album Review: Jaime Wyatt – Felony Blues

 

Many artists pretend to walk on the wild side and do everything they can to create an outlaw style, as though being bad automatically gains you street credibility. Some even choose to go down that road on purpose, to live out that doomed rock star myth as a way to create authenticity. After Jaime Wyatt’s first record deal collapsed she went off the rails and found herself actually experiencing the hard reality of this kind of life. Felony Blues, a short album released in the UK this week, explores her addictions and convictions in songs with real grit and soul. Continue reading “Album Review: Jaime Wyatt – Felony Blues” →

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Festivals Are Failing Female Acts

Recent BBC research has found that only 6% of headline acts at festivals this year are women, and shockingly there are no female headliners at Glastonbury at all, despite its liberal leftie reputation. Lorde, the biggest star out there right now is only second on the bill on the second stage! Is it really that much to ask in the 21st century to have female headliners and a 50/50 split of male and female acts on a festival bill? Continue reading “Festivals Are Failing Female Acts” →

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