Musical Lowlights of 2019

One of the benefits of running your own music blog is that you can choose what you write about. I generally don’t write entirely negative reviews and I aim to be a place of positivity and advocacy for good music by women. Despite that, I do think it’s important from a critical perspective to be honest about what you didn’t enjoy or what really disappointed you as a listener.

Firstly I’d like to point out the limitations of this post since there will be endless amounts of bad music out there that I just haven’t heard. I don’t listen to the radio (except 6music and specialist country music shows in the U.K.) so I don’t stumble across bad music that way. Sometimes though, thanks to streaming, I do try popular albums and songs out of curiosity and also give a few random things a listen. Inevitability, I don’t always like what I hear. Continue reading “Musical Lowlights of 2019”

Recommended 2019 Albums for Serious Self-Care

After writing about the overwhelming paradox of choice that comes from the tidal wave of music released in 2019, I started thinking about how I could recommend some of my favourite albums of the year in a different way so that no one is sent into a tailspin of anxiety about what’s cool, what’s good or worrying about what you’ve missed out on.

We should never underestimate the importance of music as self-care. I believe it is vital in helping us to deal with this tumultuous, chaotic world. While I do still plan on writing traditional ranking end of year lists too, read on for recommendations as to how 2019’s best music can be used as serious self care. Continue reading “Recommended 2019 Albums for Serious Self-Care”

The Little Eva Who Could

Legend had it that when Carole King heard her newly hired babysitter Eva Narcissus Boyd sing she yelled, ‘Stop! We must record that voice!’. Another story often told is that Eva’s dancing around her living room inspired the lyrics to The Locomotion. Truthfully, King and her husband Gerry Goffin knew exactly how good a singer Eva was when they hired her as a babysitter, since she had been singing on demos and working with their girl group the Cookies. Continue reading “The Little Eva Who Could”

Women Win Big At the Americana Music Awards

Last year at the Americana Music Awards many women were nominated but only Molly Tuttle took home an award for instrumentalist of the year. Before this year’s ceremony Margo Price, who had been one of those 2018 nominees, tweeted that she hoped things would be different in 2019 and the headlines would finally read that women had won big. Thankfully I can report with some delight that her wish has indeed come true and women won an equal share of last night’s awards including the big prize of Artist of the Year. Continue reading “Women Win Big At the Americana Music Awards”

The Highwomen Are Finally Here! Thoughts On ‘Redesigning Women’

Last Friday we finally heard the first new music from the country music dream team The Highwomen. This project has been much talked about, with endless teases in interviews and hype on social media to the point where I began to worry the weight of expectations was going to crush the whole thing before it even began. I’m pleased to report that so far, so damn good. Continue reading “The Highwomen Are Finally Here! Thoughts On ‘Redesigning Women’”

The Differences Between Music Journalists & Bloggers and Why We All Should Work Together Anyway

I was reading a great interview with Marissa Moss the other day which outlined some thoughts she had on the difference between journalism and music blogging. This got me thinking about some of the wider issues that I have observed since starting my own blog.

When I first started Highway Queens I had dreams of creating a professional level magazine and writing to the same standards as a paid journalist. Soon I realised that not only was this an impossible task for one person, it wasn’t what blogging was for at all. Here’s my thoughts on what those differences are and why we all need to work together anyway. Continue reading “The Differences Between Music Journalists & Bloggers and Why We All Should Work Together Anyway”

Fifty Women in Music Who Deserve Their Own Biopics

After seeing the Elton John biopic Rocketman last week, I began thinking about all the women in music who should have their story told on the silver screen. Rocketman was an interesting film but I was disappointed by the fact that they mentioned Mama Cass, going so far as to recreate her home for a party scene and yet the woman herself did not appear on screen – not even for a fleeting cameo (Kiki Dee didn’t fare much better either but at least she had a line). Like many women in music history Cass appeared sidelined in favour of the bigger story of the man. Continue reading “Fifty Women in Music Who Deserve Their Own Biopics”

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