Album Review: Cat Power – Wanderer

Cat Power has always been a singular artist, someone who walks her own musical way. Being a distinctive stylist means she can create evocative widescreen moments within the simplest of arrangements. Her voice makes original songs and covers all sound like they were born from the same moment of pain and joy which is uniquely her own.

Her last album Sun was something of an outlier in her catalogue. At the time it felt like she was experimenting with new sounds and synths in an intriguing way. Listening to it now, years later and the layers of sound feel like she’s stretching at times, trying to navigate the confusion of life through musical experimentation. When it worked it was exhilarating (like on Nothin But Time and Manhattan), but you had to wonder if she was entirely comfortable with this new direction.

So it is unsurprising to hear her new album, Wanderer, strip things back to basics. Gone are the kaleidoscopic electronics, and the soulful jazz flourishes, now replaced with simple guitar and piano. Together the introspective songs sound like one glorious lullaby.  Continue reading “Album Review: Cat Power – Wanderer”

E.P. Review: boygenius

A noticeable twenty-first century trend in indie rock is the proliferation of solo artists rather than your typical four piece band. In a way it is a reflection of our online culture, where to be heard over the din means stepping forward into the spotlight and selling yourself. Many solo artists now work with the same group of musicians but have to use their own name, or some form of pseudonym, for easier recognition. Maybe something is lost when the merging of different musical personalities is no longer the dominant form, but you can see the benefits of being solo from the start – no creative differences, no-one to share the songwriting credits with, no complicated break-ups.

However when you look closer at the sleeve notes of these solo artists you see that actually most of them are still co-writing and collaborating with others, just in looser, more flexible arrangements. Sometimes, though, the need for solo artists to work together on a shared project becomes more tangible and significant. Sometimes you have to give it a name. Continue reading “E.P. Review: boygenius”

Album Review: Pistol Annies – Interstate Gospel

Five long years have passed since the Pistol Annies’ second album Annie Up and in that time Miranda Lambert, Ashley Monroe and Angaleena Presley have all released critically acclaimed solo albums and been through some serious living. Thankfully Holler, Hippie and Lone Star Annie have finally found time in their busy and dramatic lives to reunite and record this new album, Interstate Gospel. And thank God they did because we need women’s voices in music, specifically country music, more than ever. Continue reading “Album Review: Pistol Annies – Interstate Gospel”

Album Review: Karine Polwart – Laws of Motion

Following a project as powerful and successful as Wind Resistance might have been daunting to some, but the success of that work seems instead to have given Karine Polwart continued confidence and freedom to fully realise her artistic vision. On this new album ‘Laws of Motion’ she confronts the modern world and its destructive forces with an unflinching eye. In the music and the message there is much quiet empathy to admire. Continue reading “Album Review: Karine Polwart – Laws of Motion”

Album Review – Martha L. Healy – Keep The Flame Alight

With the nights starting to draw in and the clocks soon to go back we all could do with some warmth on the stereo to help us coorie doon for winter (as we say in Scotland). Step forward Scottish singer-songwriter Martha L. Healy and her engaging new album ‘Keep The Flame Alight’, which is the perfect soundtrack to whisky-tinged evenings in front of glowing fires. Continue reading “Album Review – Martha L. Healy – Keep The Flame Alight”

Album Review: Amy Helm – This Too Shall Light

On the cover of her new album Amy Helm stands strong surrounded by the majesty of nature, the colour green, the cloudy sky and imminent light, suggesting this will be an album concerning the reality of the world around us. Musically the album is rooted in the rustic outdoor world where songs are sung to fight against approaching storms. With a varied mix of covers and originals This Too Shall Light offers a natural haven for the listener, a place of shelter, faith and community togetherness. Continue reading “Album Review: Amy Helm – This Too Shall Light”

Album Review: Loretta Lynn – Wouldn’t It Be Great

Having suffered a stroke and a broken hip in the last few years, you might expect living legend Loretta Lynn to be taking it easy now she is in her eighties. Instead, after a little delay for her recovery, she is releasing her third of five planned new albums produced by John Carter Cash and her daughter Patsy Lynn Russell. Loretta’s music remains steadfastly traditional and ‘Wouldn’t It Be Great’ contains a mix of re-recorded songs and new material in the classic country style which made her name. Continue reading “Album Review: Loretta Lynn – Wouldn’t It Be Great”

Album Review: Kari Arnett – When The Dust Settles

Americana singer Kari Arnett is currently based in Minneapolis but like so many great artists before her she has a plan to move to Nashville. Her debut album When The Dust Settles is full of quality songwriting and has a rich roots sound which suggests her spirit is already haunting the hallowed streets of Music City. There’s also real resilience and grit in the wise heart of this album. Continue reading “Album Review: Kari Arnett – When The Dust Settles”

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