Album Review: Japanese Breakfast – For Melancholy Brunettes (& Sad Women)

The word melancholy originated as a way to describe a state of deep sadness and introspection, where despair lives for no particular reason at all – such a place where poets and artists have long enjoyed living. Singer Michelle Zauner of Japanese Breakfast, found the title of her new album ‘For Melancholy Brunettes (& Sad Women) in a short story by John Cheever, and thought the tongue in cheek humour of the idea was appealing. After all most female indie singers and their fans are stereotyped this way, so why not have a little fun with it? 

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Album Review: Caylee Hammack – Bed of Roses

Caylee Hammack first came to my attention when she sang with Miranda Lambert and friends on a fun cover of ‘Fooled Around and Fell in Love’. She then was part of Ashley McBryde’s underrated Lindeville album, bringing a touch of glamour to the songs about small town life. With her red hair and fiery voice Caylee has set herself apart from the other mainstream country music singers and this new album ‘Bed of Roses’ showcases her talents beautifully. 

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Album Review: Sharon Van Etten & The Attachment Theory 

After the glorious achievement  of producing two epic modern classics in ‘Seventeen’ and ‘Like We Used To’ Sharon Van Etten’s last album was more understated, hazy and, for me, a little bit of a let down overall. After regrouping Sharon decided to try something new for this project – working collaboratively with her band on the songwriting and vision for the first time. The results are still resolutely a Sharon Van Etten album but there’s something more edgy and dramatic to the style and the sound. 

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Album Review: Lilly Hiatt – Forever

Lilly Hiatt’s last two albums were released during the pandemic and like many other artists at the time, she felt the negative effect of not being able to tour or promote her music in the way she wanted to.

During her last few years off the road she’s got married, adopted a dog, bought a house and installed a home studio where she began songwriting in a different, more immediate way. The results on this new album ‘Forever’ sound like someone shedding old skin, finding her way back to a more natural, looser kind of musical identity. 

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Album Review: Mary Chapin Carpenter, Julie Fowlis and Karine Polwart – Looking for the Thread 

It’s fitting that this collaborative album is being released in January, the traditional month of Celtic Connections festival where these three artists first performed together. In the spirit of Transatlantic Sessions these three women, two Scottish and one American come together to show that more unites us than divides us.

Individually Julie Fowlis and Karine Polwart have blazed a trail for women in Scottish folk music, helping to light a clear path forward for other artists to follow. Mary Chapin Carpenter has done the same in her own Americana/country sphere. 

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Album Review: Kim Deal – Nobody Loves You More

As a teenager growing up in the 90s I thought Kim Deal was cool in the best way – talented, fun and like she just didn’t give a fuck about anything. In the early 00s I met her while I was working at a venue she was playing at and she was super nice, even if a little out of it. She spoke of her addiction troubles during that time in a recent Guardian interview, saying ‘I would like to do those years again. I. Did. Not. Like. Them.” 

What also resonated with me about that interview was how she spoke about the beauty of failure saying ‘…there’s something about trying to do something and then just getting utterly clobbered by life.’ If you’re not afraid of fucking up then you can do the unpredictable, like releasing your debut solo album at 63. In the end that fearless attitude has made ‘Nobody Loves You More’ a little triumph. 

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