Album Review: Sarah Shook & The Disarmers – Years

So I was trying to write a punchy little introduction to this review that explained how Sarah Shook & The Disarmers’ new album Years is full of personality and brutal truths in the best outlaw country tradition, but then I realised that I had to start with one simple point: you need to buy this right away. Scroll to the end of this page and click the link. Go on now. Part with your cash and fund this band’s future because it’s a tough life out there for working class musicians and they need our support more than ever. If you’ve already got it then that’s awesome, well done. So with that sorted let me explain why this is one of my favourite albums of the year so far. Continue reading “Album Review: Sarah Shook & The Disarmers – Years”

Album Review: Ashley McBryde – Girl Going Nowhere

Any woman being signed to a major Nashville record label is positive progress for the genre, especially when they are a talented songwriter like Arkansas native Ashley McBryde. Her single ‘A Little Dive Bar in Dahlonega’ has even begun to slowly move upwards on the country charts, which really is something to celebrate in this current climate of bro country dominating the genre. McBryde has supported Miranda Lambert and worked with Eric Church, both of whom understand how to sell quality music to the masses, in the face of the trend towards pop country. Her new album ‘Girl Going Nowhere’ follows in their country rock footsteps, showcasing her powerful vocals and classic songwriting style. Continue reading “Album Review: Ashley McBryde – Girl Going Nowhere”

Album Review: Kacey Musgraves – Golden Hour

The clear blue sky on the cover of the new album from Kacey Musgraves signals a bright and hopeful new beginning both musically and personally. After getting married last year Kacey naturally began to write more love songs, leaving behind the wry humour of her previous albums. The songs on Golden Hour are quietly introspective, creating a comfortable hazy bliss to get lost in. Continue reading “Album Review: Kacey Musgraves – Golden Hour”

Album Review: Courtney Marie Andrews – May Your Kindness Remain

In his famous commencement speech to Syracuse University writer George Saunders said, ‘As a goal in life you could do worse than: try to be kinder.’ Of course, he explained, kindness can be hard. We are inherently selfish beings. But if you fail to be kind to others your life will be filled with regret. Such truths form the central theme to the new record ‘May Your Kindness Remain’ by Courtney Marie Andrews. Drawing on gospel and soul influences these beautiful songs could lift the hate from even the coldest heart. Continue reading “Album Review: Courtney Marie Andrews – May Your Kindness Remain”

E.P. Review: Savannah Conley – Twenty-Twenty

Americana super producer Dave Cobb agreed to work with 21 year old Savannah Conley after only hearing her play a third of a song. Cobb believed immediately in her talent and potential, saying, “She really reminds me of a southern Mazzy Star and I was blown away with her lyrics.” No pressure, then. This Cobb produced EP is only three songs long but has enough quality to suggest that Conley can live up to the high expectations. Continue reading “E.P. Review: Savannah Conley – Twenty-Twenty”

Album Review: Ashley Campbell – The Lonely One

For women in country music in 2018 there appears to be two distinct paths to success: embrace pop trends in the hope of gaining one of the very rare slots available on radio or plough a more alternative Americana furrow in the hope of gaining credibility as an independent artist. The problem then is what happens to women who fall somewhere in between the two worlds. Ashley Campbell has a natural poppy style but like Kacey Musgraves before her, she embraces tradition and actually plays instruments. Where she fits in the industry is hard to say but The Lonely One is a fun and varied listen, showcasing a promising talent who deserves to be recognised on her own merit. Continue reading “Album Review: Ashley Campbell – The Lonely One”

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