After seeing Nanci Griffith in concert years ago Emily Scott Robinson wrote her first song and began dreaming of a music career. After many years of hard work she signed to John Prine’s label ‘Oh Boy Records’, releasing this new album ‘American Siren’. Continue reading “Album Review: Emily Scott Robinson – American Siren”
Morgan Wade’s album ‘Reckless’, produced by Sadler Vaden, has just been awarded Rolling Stone’s Best Country Album of the year. Such an accolade for a relative newcomer tells you that this is a breakthrough artist to pay attention to. She’s been added to next year’s C2C line up as well, suggesting that her star quality also has mainstream appeal. Continue reading “Album Review: Morgan Wade – Reckless”
Margo Cilker lives in Eastern Oregon but has travelled all over, her wanderlust reflected in her music of open skies and long, lonely roads. She’s now signed to Loose Records here in the U.K. and Pohorylle has been gained spots in many Americana albums of the year lists. Continue reading “Album Review: Margo Cilker – Pohorylle”
When Brandi Carlile won her Grammy for Best Americana album her speech was not just a moment of personal celebration, it was also a statement about the genre itself:
Americana music is the island of the misfit toys. I am such a misfit. It is this music that has shaped my life and made me who I am. I came out of the closet at 15 years old…and I can assure that you I was never invited to any parties and never got to attend a dance. To be embraced by this enduring & loving community has been the dance of a lifetime. Thank you for being my island.
To find a place where your difference makes you not an outcast but part of a kind and harmonious patchwork of people is not just what a musical genre can be, it’s an ideal that America, and the world itself, should strive for. A lifted lamp by the golden door. A welcome for all. Continue reading “Album Review: Brandi Carlile – In These Silent Days”
Dori Freeman’s previous albums have established her a musician with understated charm and soft country styling. Her new record Ten Thousand Roses takes a step further into the spotlight, with more confidence and personality than before. The cover art shows an artist meeting our eye, with a self-assured stare. Continue reading “Album Review: Dori Freeman – Ten Thousand Roses”
In creating this second album Yola aimed to write classic pop songs that crossed genre, time, spaces, continents and palettes. Her excellent last album was mainly written collaboratively in the studio with producer Dan Auerbach bringing in different musicians to write with, a strategy which brought her much success in the Americana music world. Due to to the pandemic Stand For Myself began in isolation, allowing for Yola to write from a more personal perspective. Continue reading “Album Review: Yola – Stand For Myself”
A few years back I was lucky to see Amythyst Kiah play at the Edinburgh Jazz and Blues festival where she wowed the crowd with her impressive banjo skills, distinctive voice and engaging stories. Her collaboration with Our Native Daughters was one of my favourite albums of the last few years and Kiah gained a richly deserved Grammy nomination for Black Myself, her brilliant contribution to that outstanding project. She follows that up with this powerful new album Wary + Strange, produced by Tony Berg.
Continue reading “Album Review – Amythyst Kiah – Wary + Strange”
After moving to Nashville in the early 2000s, Miko Marks found breaking into country music an impossible struggle. In a recent interview with Rolling Stone she explained, ‘I was young and I was bright-eyed and I was thinking ‘You have this skill set, there’s no way you can’t make it in this town.’ Her naive optimism would soon be crushed by the reality of an industry, and an audience, unwilling or unable to go beyond their own narrow idea of what a country singer could be.
After moving back to the west coast Miko kept performing but only recently returned to recording, inspired by recent efforts to change the conversation in the industry. Interesting, but not surprising, then that she has chosen to go beyond the genre with the scope of this great new album Our Country. Continue reading “Album Review: Miko Marks & The Resurrectors – Our Country”
‘Safe Distance’ is Janet Simpson’s first solo release since the nineties, although she’s kept busy with bands and projects in the interim period. Fittingly enough the sound of this new record doesn’t veer too far from that decade, creating a loose and live style of Americana and indie rock throughout. Continue reading “Album Review: Janet Simpson – Safe Distance”
Highway Queens 