In creating this second album Yola aimed to write classic pop songs that crossed genre, time, spaces, continents and palettes. Her excellent last album was mainly written collaboratively in the studio with producer Dan Auerbach bringing in different musicians to write with, a strategy which brought her much success in the Americana music world. Due to to the pandemic Stand For Myself began in isolation, allowing for Yola to write from a more personal perspective. Continue reading “Album Review: Yola – Stand For Myself”
Album Review – Amythyst Kiah – Wary + Strange
A few years back I was lucky to see Amythyst Kiah play at the Edinburgh Jazz and Blues festival where she wowed the crowd with her impressive banjo skills, distinctive voice and engaging stories. Her collaboration with Our Native Daughters was one of my favourite albums of the last few years and Kiah gained a richly deserved Grammy nomination for Black Myself, her brilliant contribution to that outstanding project. She follows that up with this powerful new album Wary + Strange, produced by Tony Berg.
Continue reading “Album Review – Amythyst Kiah – Wary + Strange”
Album Review: Miko Marks & The Resurrectors – Our Country
After moving to Nashville in the early 2000s, Miko Marks found breaking into country music an impossible struggle. In a recent interview with Rolling Stone she explained, ‘I was young and I was bright-eyed and I was thinking ‘You have this skill set, there’s no way you can’t make it in this town.’ Her naive optimism would soon be crushed by the reality of an industry, and an audience, unwilling or unable to go beyond their own narrow idea of what a country singer could be.
After moving back to the west coast Miko kept performing but only recently returned to recording, inspired by recent efforts to change the conversation in the industry. Interesting, but not surprising, then that she has chosen to go beyond the genre with the scope of this great new album Our Country. Continue reading “Album Review: Miko Marks & The Resurrectors – Our Country”
Album Review: Janet Simpson – Safe Distance
‘Safe Distance’ is Janet Simpson’s first solo release since the nineties, although she’s kept busy with bands and projects in the interim period. Fittingly enough the sound of this new record doesn’t veer too far from that decade, creating a loose and live style of Americana and indie rock throughout. Continue reading “Album Review: Janet Simpson – Safe Distance”
Album Review: Vivian Leva & Riley Calcagno
Vivian Leva’s last album ‘Time is Everything’ was an underrated folk country gem and on this new self-titled album she promotes her previous collaborator Riley Calcagno to equal billing. You sense the deep musical and songwriting connection between the duo, who together have created an authentic, effortless country sound. Continue reading “Album Review: Vivian Leva & Riley Calcagno”
Album Review: Valerie June – The Moon and Stars: Prescriptions for Dreamers
Some voices are instantly calming, transporting you to the heavens, letting you drift away from the worry of the world below. On her new album ‘The Moon and Stars: Prescriptions for Dreamers’, Valerie June invites us to take a trip on her cloud, singing us healing messages of hope and positivity. Continue reading “Album Review: Valerie June – The Moon and Stars: Prescriptions for Dreamers”
Album Review: Senora May – All of My Love
Last year Senora May decided to record an album of love songs in response to the pandemic and an increasingly divided world. “I was sick of all the hate I saw people spewing,’ she said in a recent interview, perfectly summing up how many of us feel about the overwhelmingly toxic online (and offline) spaces we have found ourselves existing in. All of My Love is a welcome antidote to the chaos and a reminder that love and music are all we really need to get by. Continue reading “Album Review: Senora May – All of My Love”
Album Review: Shemekia Copeland – Uncivil War
After her brilliant 2018 album America’s Child, blues singer Shemekia Copeland continues her blistering take on the state of her country with her new album Uncivil War. Working again with Will Kimbrough and her longtime collaborator John Hahn has resulted in a timely collection of protest songs about the way we live now. Continue reading “Album Review: Shemekia Copeland – Uncivil War”
EP Review: Kelsey Waldon – They’ll Never Keep Us Down
Back in February, a lifetime ago, I was lucky enough to see Kelsey Waldon play live on a stormy evening in Glasgow. The rain that night was almost apocalyptic, leaking through the roof onto the stage and into the crowd. Even with the freezing temperatures and cramped venue there was a collective sense of joy and appreciation for the artists who’d travelled so far to play for us. We were all so blissfully naive about what the rest of the year was to bring.
Kelsey’s performance that evening was raw, intimate, intense. I’d liked her album White Noise / White Lines but live I connected to the songs on another level, in a way that is only possible when listening to someone sing in person. Until live music returns we have to try and find that same connection through the speakers, the screens, social media. It’s not enough but it’s all we have.
For the artists cut off from touring you feel deeply concerned for how their livelihoods have been snatched away and yet this year has also allowed for a pause and a focus on other projects. During a turbulent time politically Waldon has recorded this brilliant EP of cover songs which speak directly to the dark heart of the American experience. Continue reading “EP Review: Kelsey Waldon – They’ll Never Keep Us Down”