Live Review: Ashley Monroe @ Celtic Connections

A restored church on a Sunday was a fitting place for country music fans to congregate and worship a woman who is blessed with one of the best voices in the genre. Ashley Monroe returned to these shores for the first time since Country to Country in 2016 and the Scottish crowd were so eager to hear her play again that she sold out both the first venue she was booked to play and this upgrade of St Luke’s as well. Continue reading “Live Review: Ashley Monroe @ Celtic Connections”

Celtic Connections 2019 Preview

In the dead of winter there’s sometimes slim pickings on the live music scene but thankfully in Scotland we have one of the world’s best music festivals to encourage us all out of our hibernation. Celtic Connections runs from the 17th January to 3rd February in a variety of venues all across Glasgow. The festival hosts roots, folk and traditional music from Scotland and all around the world, including a fine selection of Americana acts.

The main dilemma with a festival that offers such an array of different artists is choosing who to see, with many days having multiple events to decide between. Every year the programme is announced I fear bankruptcy is imminent. So to help you decide I have spent some time going through the programme and here’s some of the must see female acts playing the festival this year. Continue reading “Celtic Connections 2019 Preview”

Album Review: Pistol Annies – Interstate Gospel

Five long years have passed since the Pistol Annies’ second album Annie Up and in that time Miranda Lambert, Ashley Monroe and Angaleena Presley have all released critically acclaimed solo albums and been through some serious living. Thankfully Holler, Hippie and Lone Star Annie have finally found time in their busy and dramatic lives to reunite and record this new album, Interstate Gospel. And thank God they did because we need women’s voices in music, specifically country music, more than ever. Continue reading “Album Review: Pistol Annies – Interstate Gospel”

Pistol Annies Are Back! Here’s Everything We Know About Their Return

Five long years have passed since the Pistol Annies’ second album Annie Up and in that time Miranda Lambert, Ashley Monroe and Angaleena Presley have all released critically acclaimed solo albums and been through some serious living. Thankfully Holler, Hippie and Lone Star Annie have finally found time in their busy and dramatic lives to reunite and record a new album.

Over the last few days fans have been getting postcards in the mail from the band, which might seem retro but these slices of American life are signs which tell a story. Hidden on these postcards are clues to the new album, which fans have been encouraged to share on social media using the hashtag #PistolAnniesAreBack.

Here’s everything we know about the album so far (also keep checking the hashtag for real time updates). Continue reading “Pistol Annies Are Back! Here’s Everything We Know About Their Return”

Album Review: Ashley Monroe – Sparrow

Ashley Monroe has always been somewhat of an outlier in Nashville – too glamorous for country rock, too understated for pop country and probably just a little too mainstream to be alternative Americana. So on Sparrow, produced by Dave Cobb, she steps away from trends and embraces a new vision for her music. Lush orchestral soundscapes sweep across Sparrow, creating a sheen of stylish sophistication rarely seen in modern country music. Continue reading “Album Review: Ashley Monroe – Sparrow”

Album Review: Gwen Sebastian – Once Upon A Time in the West: Act I

Gwen Sebastian is one of those talented singers who has been quietly working hard in the music business for years. She has released solo albums, appeared on The Voice and can now be heard singing as part of Miranda Lambert’s band. Being the backing singer pays the bills but Once Upon A Time in the West: Act 1 proves that Gwen deserves a chance to stand centre circle and be heard on her own merits.

Continue reading “Album Review: Gwen Sebastian – Once Upon A Time in the West: Act I”

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