Album Review: Jaime Wyatt – Felony Blues

 

Many artists pretend to walk on the wild side and do everything they can to create an outlaw style, as though being bad automatically gains you street credibility. Some even choose to go down that road on purpose, to live out that doomed rock star myth as a way to create authenticity. After Jaime Wyatt’s first record deal collapsed she went off the rails and found herself actually experiencing the hard reality of this kind of life. Felony Blues, a short album released in the UK this week, explores her addictions and convictions in songs with real grit and soul. Continue reading “Album Review: Jaime Wyatt – Felony Blues”

When Tina Turned the Country On!

 

The early life of Anna Mae Bullock sounds like the story of a potential country music star – she was raised in rural Tennessee, she worked in the fields, she only listened to country and western on the radio, she spent her childhood singing in church, her parents abandoned her and she raised herself the hard way. However instead of taking the path to the Grand Ole Opry she joined Ike Turner’s rhythm and blues band in St Louis, became Tina Turner and the rest is music history.

In the sixties and early seventies everything about her life was under Ike’s megalomaniacal control – it was his name, his songs, his style, his fist, his way. When Tina released her debut solo album, Tina Turns the Country On! in 1974 this signalled the beginning of her attempt to break with Ike both personally and professionally. While ultimately a commercial failure, the album is a fascinating glimpse into the life and times of one of music’s most successful female performers. Continue reading “When Tina Turned the Country On!”

Bobbie Gentry and the Power of Mystery

‘It was the 3rd of June, another sleepy, dusty, Delta day,’ sings Bobbie Gentry in the opening of her most famous song Ode to Billie Joe, setting the scene for one of music’s most elusive mysteries. This song and the album of the same name is the topic of a book by Tara Murtha in her contribution to the 33 1/3 series about significant albums, published by Bloomsbury. Murtha explores both the recording and release of this album, alongside the life and eventual disappearance of Bobbie Gentry herself. Continue reading “Bobbie Gentry and the Power of Mystery”

Why ‘Tin Man’ Is The Sad Song We Need Right Now

Nowadays in popular music escapism is the name of the game. Songs are often nothing more than an attempt to make the listener feel good – even ballads are autotuned and polished to perfection. Raw emotion is no longer acceptable.

But look at the world. Look at all the terrible things that are happening. More than ever we need to hear songs that tell us the real stories of people’s lives – of their heartbreak and pain and suffering. These songs are still out there, but you won’t hear them much on the radio or at award shows. When Miranda Lambert stepped up to sing Tin Man at the ACM awards she said it was a ‘risk’ but it was a performance which proved that sad songs still have the most power. Continue reading “Why ‘Tin Man’ Is The Sad Song We Need Right Now”

Album Review: Lillie Mae – Forever and Then Some

 

The simple black and white photograph of Lillie Mae on cover of this record is striking for all the right reasons. It commands us to notice the distinctive style of this artist and remember her face. Stepping out from the shadows of both her family band and her employer turned producer Jack White might be daunting but her eyes and the songs on Forever and Then Some tell you she’s more than ready.

Continue reading “Album Review: Lillie Mae – Forever and Then Some”

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