Album Review: Aoife O’Donovan – Age of Apathy

Apathy is defined as a lack of interest, enthusiasm or concern. Back in the nineties such feelings of such disconnect were actively cultivated as a way to cope with the madness of the world. Yet in the modern, hyper-connected new century we are constantly bombarded with an expectation that we actually care about everything. Sometimes that in itself takes its toll. On her new album Aoife O’Donovan wonders what it might be like to live in an ‘Age of Apathy’ where life and love are simple and free from the lingering malaise. Continue reading “Album Review: Aoife O’Donovan – Age of Apathy”

Album Review- Allison Russell – Outside Child

After the success of the Our Native Daughters project Allison Russell made the decision to release music under her own name for the first time. Outside Child is a personal and intimate project which Allison describes as being about ‘resilience, survival, transcendence, the redemptive power of art, community, connection and chosen family’. Many of the songs were written in response to her childhood trauma and by singing her wounds she finds healing and catharsis. Continue reading “Album Review- Allison Russell – Outside Child”

Album Review: Natalia Lafourcade – Un Canto por Mexico Vol. 2

Natalia Lafourcade’s Musas albums brought the history of Latin folk music to life for modern audiences and she continued to explore her roots on last year’s Un Canto Por La Mexico Vol 1. That album was a collective celebration, which included many guest artists and reworkings of her old songs. It went on to win three Latin Grammys as well as the overall Grammy for Best Regional Mexican Album. The second volume of the project continues her collaborations with many modern artists of Latin music, who together celebrate the greatest hits of her musical culture. Continue reading “Album Review: Natalia Lafourcade – Un Canto por Mexico Vol. 2”

Album Review: Rhiannon Giddens with Francesco Turrisi – They’re Calling Me Home

Back in another lifetime when live music still existed I was lucky enough to see Rhiannon Giddens and Francesco Turrisi play on a cold winter evening in Edinburgh. Despite being in a large concert hall the show was intimate, brooding, frenetic, inspiring.

What was also apparent was the deep connection between the couple, musically and personally – they came from different countries, different worlds and yet they seemed like two halves of one whole. The duo’s previous album ‘there is no Other’ used folk music to show the dangers of a world where discrimination and hatred grow, but it was also about how finding a home in this world can be a devastating struggle for so many. Strange then that coronavirus would soon afterwards force us all to stay in one place, to have a reckoning with what home really means.

During the pandemic the power of music to bring comfort and bridge barriers of time and space became even more important and resulted in this new album They’re Calling Me Home. Continue reading “Album Review: Rhiannon Giddens with Francesco Turrisi – They’re Calling Me Home”

Album Review: Peggy Seeger – First Farewell

In her illuminating autobiography ‘First Time Ever’, Peggy Seeger tells the story of her life and the history of folk music itself. Her family were legendary musicians and she explores the importance of that inheritance and how to keep the purpose of the genre alive today:

We need to capture the public imagination, sing to the fence-sitters, bring factions together…Let’s stop complaining and write – with as few clichés as possible – about hope, compassion, gratitude, cohesion and, above all, action. Sounds simple. It is.’

Her new album ‘First Farewell’ makes a bold attempt to live by this statement of intent. You can’t help but be impressed and inspired by this eighty five year old’s assertive musical ambition and deeply felt songwriting. Continue reading “Album Review: Peggy Seeger – First Farewell”

Album Review: Yasmin Williams – Urban Driftwood

Instrumental albums pose challenges for reviewers like myself whose natural tendency is to focus on vocals and lyrics. Yet I love to listen to this kind of music, to let it work its mysterious magic on my soul and instead of deconstructing the words to search for the narrative in my own emotional reaction to the sound. Yasmin Williams’s new album ‘Urban Driftwood’ is a masterpiece of acoustic guitar playing, connecting with her instrument on a level that reaches the sublime. Continue reading “Album Review: Yasmin Williams – Urban Driftwood”

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