Album Review: Alela Diane – Who’s Keeping Time?

In a world of online influencers selling false versions of themselves for profit, it seems absurd that musicians are now expected to produce content and compete for attention on the same platforms. And yet here we are. 

Portland based indie folk songwriter Alela Diane has been someone whose social media feels more like a natural reflection of her life, very low-key DIY, with a wry smile that suggests she’s playing the game without taking it too seriously. She’s filmed videos in her stunning Victorian home, featured her pets and children, partnered with eco-fashion brand Christy Dawn, wearing them in her social media content and on stage, while always keeping the focus on the most important element: the music. 

This new album was recorded in her own home studio, and she has recently made a deliberate choice to engage with her local music community again after many years focused on motherhood. Although it must be said that even if her attention was elsewhere she’s never really been away from music releasing Cusp, Looking Glass and It’s Always Christmas Somewhere with the Hackles in the ten years since this blog began in 2017.  Her new album ‘Who’s Keeping Time?’ is full of beautiful, warmly rich sounding songs which she will be touring far and wide in the upcoming year, another sign of her renewed ambition. 

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EP Review: Natalie Wildgoose – Rural Hours 

I first heard Natalie Wildgoose when listening through all the female artists performing at this year’s Celtic Connections festival and was immediately struck by her beautiful voice and intriguing folk music. The songs on her excellent new EP Rural Hours were recorded while spending time in North Yorkshire, with minimal instrumentation, mainly on pianos she found in different locations, using vintage recording tape to evoke a romantic soundscape of the sublime. 

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Albums of the Year 2025

We’ve made it to the end of blogmas and I’ve saved the best of the year until last. It’s been great writing a post every day in December and I want to thank everyone for reading the blog this year!

So now for my favourite albums of the year by women artists. The list reflects my own personal listening and is not intended to be any kind of ‘best of’. 

Please share yours in the comments! Click below to read my reviews of each album. 

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Songs of the Year 2025

This year I made a rolling playlist of my favourite songs on Apple Music which has been hugely helpful in keeping track of what I’ve enjoyed listening to. I’ve always kept a list of songs from albums I review on Spotify but that doesn’t catch every single. 

Another useful app for me is Last FM which I’ve been using since 2006 to count what I listen to. Sometimes the numbers are skewed because I have to listen to something more to review it, or just because a song came out at the beginning of the year but it still helps me to see what music I’ve gone back to. 

So using those metrics alongside my own gut instinct here are my top 20 favourite songs of the year sung by women. Apologies to the artists who I just haven’t had a chance to listen to this year. Share yours in the comments and let me know what I missed! 

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Album Review: Rianne Downey – The Consequence of Love 

Launching her debut album with a sold out in-store performance at Assai Records in Edinburgh last night, Rianne Downey described herself as ‘giddy’ at finally having ‘The Consequence of Love’ released into the world.

The last few years have been a whirlwind for the singer from Bellshill in Scotland, going from busking and sharing her music online to headlining festivals, after being chosen by legendary Paul Heaton to sing in his band.

Now she’s stepping into the spotlight herself with this country inspired collection of beautiful songs about love, loss, home and finding your own way.  

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On ‘A Complete Unknown’ & the Myth of Male Genius 

The one time I saw Bob Dylan play live he was terrible but it didn’t seem to matter, everyone else lapped it up and the guy next to me nearly got thrown out for standing on his chair and yelling ‘LEGEND’ between every song. After that I promised never to pay money to see an old narcissist deliberately sing his own songs out of time and tune, all in the name of artistic independence or some other male bullshit. 

I do love Dylan’s old music but since I obviously wasn’t a diehard, I went to see ‘A Complete Unknown’ without any real expectations. I left both impressed and irritated. 

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Album Review: Mary Chapin Carpenter, Julie Fowlis and Karine Polwart – Looking for the Thread 

It’s fitting that this collaborative album is being released in January, the traditional month of Celtic Connections festival where these three artists first performed together. In the spirit of Transatlantic Sessions these three women, two Scottish and one American come together to show that more unites us than divides us.

Individually Julie Fowlis and Karine Polwart have blazed a trail for women in Scottish folk music, helping to light a clear path forward for other artists to follow. Mary Chapin Carpenter has done the same in her own Americana/country sphere. 

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