In his Nobel Prize acceptance lecture Bob Dylan discussed how he first began learning old folk songs, eventually internalising them into his own songwriting. ‘You hear all the finer points, and you learn the details,’ he explained. By singing these songs he discovered ‘the devices, the techniques, the secrets, the mysteries’, concluding that ‘songs are alive in the land of the living’. Old songs are meant not just to be heard, but to be sung anew by the next generations.
Emma Swift began ‘Blonde on the Tracks‘, her project of Dylan covers, as a way to recover her artistic inspiration after experiencing depression. Mainly recorded in 2017 these versions were not even intended to be an album but when the pandemic destroyed Swift’s plans for touring she decided to release the recordings. Continue reading “Album Review: Emma Swift – Blonde on the Tracks”