Album Review: Kim Deal – Nobody Loves You More

As a teenager growing up in the 90s I thought Kim Deal was cool in the best way – talented, fun and like she just didn’t give a fuck about anything. In the early 00s I met her while I was working at a venue she was playing at and she was super nice, even if a little out of it. She spoke of her addiction troubles during that time in a recent Guardian interview, saying ‘I would like to do those years again. I. Did. Not. Like. Them.” 

What also resonated with me about that interview was how she spoke about the beauty of failure saying ‘…there’s something about trying to do something and then just getting utterly clobbered by life.’ If you’re not afraid of fucking up then you can do the unpredictable, like releasing your debut solo album at 63. In the end that fearless attitude has made ‘Nobody Loves You More’ a little triumph. 

Continue reading “Album Review: Kim Deal – Nobody Loves You More”

Live Review: Waxahatchee & Anna St. Louis @QMU Glasgow 30/07/24

After releasing ‘Saint Cloud’ during the pandemic, Katie Crutchfield’s life changed. She found a new audience within the Americana scene, while also maintaining her core fans from her earlier indie rock records. Success in the genre led to the Plains collaboration with Jess Williamson and even working with Wynnona Judd, further underscoring her dedication to explore her Southern roots and influences.

Katie and her brilliant band (who included Spencer Tweedy on drums) came to Glasgow for the first time in many years, fresh from releasing the new album Tiger’s Blood. She performed that album in full, relishing in the opportunity to play these songs to a sold out audience.

Continue reading “Live Review: Waxahatchee & Anna St. Louis @QMU Glasgow 30/07/24”

Album Review: Madi Diaz – Weird Faith

Being chosen to support a pop star like Harry Styles on a massive stadium tour looks from the outside like a dream. Here’s a guaranteed payday and an opportunity to play in front of thousands of fans who probably wouldn’t normally hear your music. By choosing women from mainly the indie/alternative sphere Harry was continuing on his quest to appear both cool and inclusive, distancing himself from his reality TV, manufactured boy band past. All credit to him (or more likely his savvy management team) for giving out these opportunities.

However a little digging into the online fan culture would suggest these slots are not always groundbreaking for careers as they may seem.

Jenny Lewis faced online abuse from his fans that basically amounted to them deciding she was too old and her music too weird to support him. Despite Harry’s wish for indie credibility it was clear most of his fans were stuck in their pop lane. Typical of Jenny she didn’t give a fuck and enjoyed herself massively, making the absolute best of the opportunity despite the general apathy. Wet Leg and Wolf Alice reportedly got similarly muted responses.

Kacey Musgraves fared better since she is younger and poppier, even duetting with Harry at one point. She managed to win fans online and carry some of these over to her own shows, which began to skew younger around the time she opened for him.

So now you may be wondering what happened with Madi Diaz? She was chosen to support Harry as a solo acoustic performer, in massive stadiums when most people were probably not even in their seats yet. At least Harry was a definite fan of her music – watching her from the side of the stage, wearing her ‘Crying in Public’ T-shirt and then asking her to join his own touring band, elevating her to the main event.

Since releasing this new album Weird Faith last Friday, Madi has appeared on her first Late Night talk show, played Rough Trade and had a week that has left her ‘humbled and bewildered’. How much of this success is down to her being connected to Harry is hard to measure, but the increase in name recognition alone has been a driver in getting her music in front of a wider range of fans, myself included.

Continue reading “Album Review: Madi Diaz – Weird Faith”

Album Review: Lizzie No – Halfsies

On Lizzie No’s debut album, Hard Won, she showcased her talents as a harp playing folk singer with something to say and she then built on that foundation with her second record Vanity, creating a more ambitious, rockier sound. Her new record Halfsies is released in conjunction with Americana label Thirty Tigers, which is fitting since Lizzie has been a vocal advocate for more black women in country and folk music. Halfsies is a fantastic record which blends those genres along with some intriguing indie rock influences.

Continue reading “Album Review: Lizzie No – Halfsies”

Album Review: Bethany Cosentino – Natural Disaster

One of the albums which really got me through the pandemic was Best Coast’s Always Tomorrow – a blissfully catchy set of songs about the journey towards self-acceptance, sobriety and security. At the time when the world was shutting down those songs about shedding your old skin and learning how to look after yourself really hit a nerve.

So, a few years later, it’s not a huge surprise to me to learn that Bethany Cosentino has gone solo. Starting over, embracing a new life was central to so many of the old songs that the natural next step would be to begin again, moving away from her youthful indie rock and pop punk influences. While Best Coast had always felt like her voice, her project, (no offensive to drummer Bobb Bruno intended) using her own name for her music feels like a chance to really express her individuality.

Continue reading “Album Review: Bethany Cosentino – Natural Disaster”

Album Review: Jess Williamson – Time Ain’t Accidental

Last year the native Texan Jess Williamson joined Katie Crutchfield to form the duo Plains, together releasing an album of gorgeous windswept indie folk which perfectly showcased her romantic, yearning vocals.

Her new record Time Ain’t Accidental continues in that same vein, offering us a softer take on a break-up record, sounding more like the exhalation breath of freedom rather than the howl of despair.

Continue reading “Album Review: Jess Williamson – Time Ain’t Accidental”

Album Review: First Aid Kit – Palomino

We last heard First Aid Kit in ‘Ruins’ an album full of heartbreak songs that weighed so heavily on the band they ended their last touring schedule completely burnt out. After a much needed break they’re back with ‘Palomino’, recorded during the pandemic and produced by Daniel Bengston with some songwriting assistance from Bjorn Yttling. The horse of the title is a symbol of strength and freedom, signalling that the positive changes in their recent personal lives will be reflected in the new music (much like the other album of the same name released this year).

Continue reading “Album Review: First Aid Kit – Palomino”

Album Recommendation: Caitlin Rose – Cazimi

Reading the recent Guardian interview with Caitlin Rose was revealing, but not in the way you might expect. Here was an artist refusing to share her trauma or explain the personal reasons for the nine year gap between records. In an online world where oversharing is normalised (and monetised) the statement: I don’t think artists owe their stories, I think they owe music is radical and refreshing.

What Caitlin did share was that she has felt ‘stuck’ in her career. You can imagine then, how hard it must be to come back after a long time away. Seeing the endless, constant success of others paraded on social media can only add more doubt. Stasis is no surprise.

To break out Caitlin did something simple: she gave herself permission to stay in her ‘comfort zone’, connecting with friends who made her want to enjoy music again rather than aiming for something radically different. Old fans will recognise this artist immediately, with Cazimi reminding us what made her such an engaging voice in the first place.

Continue reading “Album Recommendation: Caitlin Rose – Cazimi”

Album Review – Courtney Marie Andrews – Loose Future

Since starting this blog in 2017 Courtney Marie Andrews has released three studio albums, establishing herself as one of the most prolific women solo artists of the moment. Each album has been searching, both inwardly and outwardly for a better, more honest life. Musically too she has explored the darkness and the light, touching the edges of genres and influences, weaving her stories into melodies that feel effortless and essential.

Some fans may be worried that this level of productivity suggests she is stuck in the hamster wheel of the music industry content churn (with the consequent inevitable burnout). Luckily for us listeners Loose Future feels more like an exhale. The album is perhaps less sonically ambitious than ‘May Your Kindness Remain’ or emotionally fraught as ‘Old Flowers’ but that well…looseness…feels freeing and refreshing.

Continue reading “Album Review – Courtney Marie Andrews – Loose Future”

Blog at WordPress.com.

Up ↑