Album Review: ALA.NI – ACCA

Everyone does their thing a little bit differently, ALA.NI sings on the seductive opening track of her new album ACCA. We last heard from her on the wonderful You and I album (which I reviewed a couple of years ago) and since then she has been experimenting further with the boundaries of her unique sound. This new album has been written and recorded almost entirely a cappella, with the vocal tracks then being layered to sound like instruments. The result is a dizzying mix of innovation that sounds spontaneous and utterly sparkling throughout. Continue reading “Album Review: ALA.NI – ACCA”

Album Review: Leyla McCalla – The Capitalist Blues

Former Carolina Chocolate Drops cellist Leyla McCalla is set to have a busy year in 2019. As well as releasing her third solo album The Capitalist Blues, she will soon also be heard on the ‘Our Native Daughters’ project with former bandmate Rhiannon Giddens, Amythyst Kiah and Allison Russell. Until then we can treat ourselves to this excellent solo album – a rich exploration of McCalla’s musical heritage, with a socially conscious heart. Continue reading “Album Review: Leyla McCalla – The Capitalist Blues”

Book Review: ‘Blues Legacies and Black Feminism’ by Angela Davis

In her work ‘Blues Legacies and Black Feminism’ Angela Davis states her aim is to discover what we can learn from three pioneers of blues music: Gertrude ‘Ma’ Rainey, Bessie Smith and Billie Holiday. She wants to look beyond biography to investigate how their work reflected feminist attitudes and helped shaped black consciousness. The work is academic in tone and purpose, a rightfully serious but also personally passionate account of the significance of these often overlooked artists and their legacies. By placing their music in a wider sociocultural context, Davis gives these women the respect and acclaim they so richly deserve. Continue reading “Book Review: ‘Blues Legacies and Black Feminism’ by Angela Davis”

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