Album Review: Rhiannon Giddens – ‘You’re the One’

Rhiannon Giddens understands her musical and cultural heritage more than any other contemporary artist in Americana music. She devotes attention to the musicians of the past like Sister Rosetta Tharpe, Nina Simone, Patsy Cline, Dolly Parton and beyond. Her previous collaborations with Francesco Turrisi and Our Native Daughters have wrestled with the dark heart of America’s past and its impact on the present.

‘You’re the One’ takes a step towards a different kind of light, consisting of twelve original tracks of uplifting and diverse Americana, played with verve and vivacity.

Continue reading “Album Review: Rhiannon Giddens – ‘You’re the One’”

Album Review: Rhiannon Giddens with Francesco Turrisi – They’re Calling Me Home

Back in another lifetime when live music still existed I was lucky enough to see Rhiannon Giddens and Francesco Turrisi play on a cold winter evening in Edinburgh. Despite being in a large concert hall the show was intimate, brooding, frenetic, inspiring.

What was also apparent was the deep connection between the couple, musically and personally – they came from different countries, different worlds and yet they seemed like two halves of one whole. The duo’s previous album ‘there is no Other’ used folk music to show the dangers of a world where discrimination and hatred grow, but it was also about how finding a home in this world can be a devastating struggle for so many. Strange then that coronavirus would soon afterwards force us all to stay in one place, to have a reckoning with what home really means.

During the pandemic the power of music to bring comfort and bridge barriers of time and space became even more important and resulted in this new album They’re Calling Me Home. Continue reading “Album Review: Rhiannon Giddens with Francesco Turrisi – They’re Calling Me Home”

Women in Music to Support on Patreon Right Now!

This year has exposed the uncomfortable truth that many in the music industry are struggling to keep their heads above water both financially and emotionally. The pandemic has destroyed the touring eco-system and underlined the endemic issues caused by loss of income due to streaming.

Paradoxically the Internet which caused the collapse of physical record buying, could actually offer some useful solutions. Since lockdown began musicians have been diversifying into live-streaming and using their social media to connect with fans.

Platforms like Instagram and YouTube offer further opportunities but these may veer too close to asking musicians to become influencers or vloggers for some to be entirely comfortable. Selling out might be an outdated concept but there are still some limits. And while crowdfunding for individual projects has been helpful in the past, many have been burned by the Pledge Music scandal which left artists and fans out of pocket and suspicious of digital middle men.

In contrast the direct funding site Patreon seems to be much less of a risky endeavour. Artists ask for monthly donations in return for tiered rewards which are usually content based rather than linked to physical products – for example exclusive live-streams, q and as, discounts on merch, first opportunities to buy tickets for shows, written updates, cover songs, workshops, meet and greets etc. Some do offer physical products but there seems to be less potential for issues if Patreon ceased to exist.

Like the name suggests this is inspired by the original idea of patronage where someone with money supported an artist just to do their work. The site’s model goes further than this by incorporating ideas from social media to help create communities of fans, letting them connect with the artist on a new level. Most fans donating will likely buy albums too so this becomes an additional rather than a replacement source of funding.

Personally I’m happy to just donate without rewards but I can see the added value in what many artists are offering. When I asked about the site on Twitter I received only positive feedback from fans and artists alike. For once this seems to be working for everyone.

The only problem with Patreon then is choosing how to spend your money if you are lucky enough to have some extra to give. There are hundreds of worthy artists all needing your help. My plan is to donate a certain amount of money each month and then rotate to new artists after six months. Some might prefer just to choose one favourite and give them as much as they can afford.

If you are looking for options here is a list of women in music who are currently using Patreon – all of whom have been featured on Highway Queens in the past. Click below to help support the future of music:

Continue reading “Women in Music to Support on Patreon Right Now!”

Women Win Big At the Americana Music Awards

Last year at the Americana Music Awards many women were nominated but only Molly Tuttle took home an award for instrumentalist of the year. Before this year’s ceremony Margo Price, who had been one of those 2018 nominees, tweeted that she hoped things would be different in 2019 and the headlines would finally read that women had won big. Thankfully I can report with some delight that her wish has indeed come true and women won an equal share of last night’s awards including the big prize of Artist of the Year. Continue reading “Women Win Big At the Americana Music Awards”

Album Review: Rhiannon Giddens with Francesco Turrisi – there is no Other

Rhiannon Giddens collects songs, instruments and stories from all through history and synthesises them perfectly with her modern musical purpose. She believes in teaching us the failings of the past, to better understand our present. On her new album she has paired up with Italian virtuoso musician Francesco Turrisi, someone who shares her connection with folk music history, with his expertise in Islamic, Mediterranean and eastern styles. By pairing together on this album ‘there is no Other‘ (capitalisation deliberate) they want to show that no matter where we come from we are all one voice, one history, one future.

Continue reading “Album Review: Rhiannon Giddens with Francesco Turrisi – there is no Other”

Our Native Daughters – Songs Of Our Native Daughters

In his introduction to ‘Notes on A Native Son’ James Baldwin declared, ‘I am what time, circumstance, history, have made of me, certainly, but I am, also, much more than that. So are we all.’ Inspired by his work, Rhiannon Giddens initially brought together this group of musicians in order to try to reclaim the black female history of America. Once the project began she realised that it had become much more than just about telling the stories of the past; it became an expression of creative freedom conveying hope for the future too.

Giddens, with her collaborators Amythyst Kiah, Leyla McCalla and Allison Russell wrote and recorded these songs together at producer Dirk Powell’s studio in Louisiana (Kaia Kater was also invited but unable to attend due to scheduling). Mixing originals with songs inspired by historic folk music and stories the result is an astonishingly powerful, and listenable, piece of art. Continue reading “Our Native Daughters – Songs Of Our Native Daughters”

Live Review: Rhiannon Giddens @ Celtic Connections

On Monday night Rhiannon Giddens made a welcome return to Scotland to play a special show with the ‘Celtic Blues’ orchestra, led by Grit conductor Greg Lawson and made up of a varied array of players. The new versions of these songs, arranged by Gabe Witcher of The Punch Brothers, were neither strictly classical or folk but occupied what Giddens called an ‘interesting realm’ between the two. The results of this collaboration produced an evening of music of the highest quality that was a privilege to witness. Continue reading “Live Review: Rhiannon Giddens @ Celtic Connections”

Celtic Connections 2019 Preview

In the dead of winter there’s sometimes slim pickings on the live music scene but thankfully in Scotland we have one of the world’s best music festivals to encourage us all out of our hibernation. Celtic Connections runs from the 17th January to 3rd February in a variety of venues all across Glasgow. The festival hosts roots, folk and traditional music from Scotland and all around the world, including a fine selection of Americana acts.

The main dilemma with a festival that offers such an array of different artists is choosing who to see, with many days having multiple events to decide between. Every year the programme is announced I fear bankruptcy is imminent. So to help you decide I have spent some time going through the programme and here’s some of the must see female acts playing the festival this year. Continue reading “Celtic Connections 2019 Preview”

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